It’s six o’clock on April 12, just two hours before show time, and Joe Bonamassa is sitting in his dressing room at Seattle’s famed Paramount Theatre absent-mindedly flipping through pictures of vintage guitars on his iPad. “Check this out,” he says to his tech while holding up the tablet.
As you might've noticed, with each new week, we look back at a particular year's issues of Guitar World magazine. We do this so we can find cool stories from the past, including our final interview with Stevie Ray Vaughan, which is coming up this week, and our interviews with Steve Vai, Frank Zappa, David Gilmour, etc.
Nineteen hundred and seventy-three is one of those rare years — like, say, 1968, 1969, 1971 and 1991 — that saw the release of an impressive assortment of seminal rock albums. As we wrote two years ago in our 1971 roundup, "Even for a year that falls squarely in the heart of the 'classic rock' era, it was a particularly classic year."
Way back in 1996, when Reverend Guitars founder Joe Naylor designed the first Reverend guitar, the philosophy was simple: Design the best guitar you know how to. Make it look cool and sound great, and put it out there and see what happens.