The Australia-based company is comprised of musicians who build headphones with other musicians in mind. The AF78 earbuds feature a dual-driver design. Usually you don’t see more than a single driver in earbuds, unless you’re talking about high-end in-ear monitors. But Audiofly has broken the mold.
I’m guilty of having committed a serious crime: I've leaned my guitar against my amp or in a corner when playing out. Why do I do this? I’m a minimalist when it comes to the gear I bring to a gig. D&A Guitar Gear has released the IceStand. It’s touted as a guitar or bass stand that can fit in a gigbag and be set up in two simple steps, all while weighing less than your average 20-foot guitar cable.
From the light, singing overdrive of classic rock to raunchy, screaming, ear-shattering distortion, the Dirty Deed was created for complete versatility. The tone is very organic and natural sounding; it’s designed to capture the character and responsiveness of a classic overdriven tube amplifier with elements of distortion, fuzz and overdrive combined into a single wide-range pedal.
Growing up as a '90s kid, I remember Tim Allen’s character on Home Improvement being obsessed with giving his power tools one thing — more power! Ernie Ball did just that when it revamped its popular Power Peg String Winder and created the Power Peg Pro. If you’re unfamiliar with the product, it's a battery-powered string winder built into a compact drill.
The Tapo by Editors Keys takes two common accessories — a capo and a clip-on tuner — and puts them together in one handy piece. The capo end of the Tapo is indeed a sturdy metal capo. It has appropriate rubber padding so it doesn't scratch your instrument. There's a visible spring that keeps tension in order.
I recently had the honor of watching Steve Vai during an unaccompanied soundcheck and was surprised by what I heard. There was something different about his sound, a ballsy low-mid energy that gave his tone the kind of depth and earthy elements it had back in his mid-Eighties Flex-Able/David Lee Roth period. I later learned that the source of this scorching tone is Vai’s new set of DiMarzio Gravity Storm pickups. Whereas his Evolution pickups featured cutting attack, in-your-face presentation and extremely dense upper harmonics, the Gravity Storms are warm and fat, with a kicking low-end edge.
For the past few weeks, I’ve been checking out the Drum Thing, a passive, battery-free, output-only percussion box. Think of it as a sound-hole pickup in a metal box that you can stomp on, brush, tap on, sing into or all-out scream at it. I found two distinct uses for it: tapping on it to build metronome-like practice loops, and placing a ton of effects pedals after it and creating maddening noise loops.