“Boutique tones for guitarists on a fast food budget” is the catch phrase for Tone Bakery’s new line of pedals. With a Klon Centaur going for nearly $3,000 these days, I can understand what Tone Bakery is going for by releasing the Creme Brulee — its take on the iconic Centaur boost/overdrive pedal — for less than $100.
Not too long ago, if you were shopping for a multieffect floorboard you were limited to a choice of affordable models with semi-pro-quality effects and moderately rugged construction or prohibitively expensive units with pro effects and tour-worthy durability.
If the name "Intimidator," the camouflage motif or a Punish knob wasn’t enough of a tip-off, this is a seriously high-gain distortion pedal. It doesn’t clean up well, it doesn’t return phone calls, it doesn’t whisper, it screams!
It's not often that guitarists wax poetic at the mention of a trumpet player, but Clyde McCoy is the exception. McCoy is known by guitarists not for his prowess blowing into brass tubes but rather for having his name on the very first production wah pedals.
The new Dunlop Clyde McCoy Cry Baby Wah Wah resurrects this esteemed pedal by duplicating the original Cry Baby sound to the nth degree, while improving the design with modern features and performance.