For the past few weeks, I’ve been checking out the Drum Thing, a passive, battery-free, output-only percussion box. Think of it as a sound-hole pickup in a metal box that you can stomp on, brush, tap on, sing into or all-out scream at it. I found two distinct uses for it: tapping on it to build metronome-like practice loops, and placing a ton of effects pedals after it and creating maddening noise loops.
Truth be told, Leo Fender never intended for the amp to get such an overdriven sound. He much preferred the clean twang of country and Hawaiian lap steels. But guys like Neil Young, Joe Walsh, Eric Clapton and Billy Gibbons had other plans: Crank these low-watt wonders wide open!
There are probably more than 300 models of overdrive, distortion and fuzz pedals in production today. How do you decide which one is right for you? Well, good readers, it’s time to practice your licks and get ready to blow some tweeters as we show you 10 things you should know before you buy a fuzz box.
Electro-Harmonix has reissued its CMOS Hot Tubes Overdrive pedal. Originally released in 1978, the EHX Hot Tubes was designed to replicate the organic overdrive of a vintage tube amp. The reissue Hot Tubes is a faithful re-creation of the original design, but presented in a compact, nano-sized chassis.
Expanding its range of overdrive, fuzz and distortion pedals that began with the iconic LPB-1 Linear Power Booster and Big Muff Pi, Electro-Harmonix now introduces its first pedal designed around a JRC4558 integrated circuit: the East River Drive.
Visual Sound has introduced its VS-XO Premium Dual Overdrive pedal. The pedal offers two unique, flawless overdrives, plus a Pure Tone buffer on/off and separate Input and Output available for each channel.