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GW readers choose MXR's Carbon Copy Delay as Jim Dunlop's ultimate effect pedal.
Today's matchup: Will the Way Huge Green Rhino devour the Fat Sandwich Distortion?
Eddie Van Halen on how he created his sound using MXR's Phase 90 and Flanger pedals.
All of these effects are solid workhorses that gigging musicians will rely on for years onstage and in the studio.
The Boss ME-70 combines the instant tweakability of stomp boxes with the convenience and power of a all-in-one multieffect unit.
DigiTech's HardWire series pedals may not introduce any revolutionary new sounds, but they’re an incredible value and a worthy investment.
If you lust for the most lush and luscious analog delay tones known to man, the Aqua Puss will make you feel all wet, warm and wonderful.
The MXR M82 Bass Envelope is a great representative of its species and, despite its relatively crowded control panel, is very simple to use and highly responsive.
Eleven Rack’s amps, cabinets and effects sound and feel so good that you may start
to consider your amps and effects obsolete.
Use the TimeBender for simple slapback echoes and bouncy multi-tap delays, or as a musical instrument unto itself.
The Patchmate Loop 8 makes it easy to control stomp boxes, rack effect processors and amp and channel switching from a centralized unit.
If you truly want to sound like a pro, the Eventide Eclipse is highly recommended.
The Brown Dog is a killer fuzz that has lots of range and great presence in a live mix, while the Agent 00Funk nails all the classic envelope tones with hi-fi quality.
Buy it now!
Now on the iPad
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