Based on Paul’s guitar, the guitar Paul Reed Smith is playing in the studio and on the stage, the Brushstroke 24 is lacking neither tone nor style. This limited-edition model carries over a familiar carved, figured maple top with mahogany back wood combination, the unique “brushstroke” bird inlay design, and adds 24-fret, tremolo versatility to the Core Paul’s Guitar model.
These videos and audio files are bonus content related to the October 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
Alex Skolnick is among a few guitarists who have achieved multigenre success and acclaim, first as a wild young gun with the iconic metal thrash band Testament, and then as a tasteful and technically impressive jazzbo with the Alex Skolnick Trio.
Probably 99 Percent of the guitars built with graphics inspired by Pink Floyd’s The Dark Side of the Moon feature the album cover’s iconic prism design. Mark “Gig” Goldstein’s Dark Side of the Moon guitar also includes the prism, but it is just one small detail in a larger tableau that he carved into the front of a Gibson SG—a scene that tells the album’s entire story.
In the newly posted video below, Dream Theater guitarist John Petrucci discusses and demos Ernie Ball's M-Steel guitar strings. Ernie Ball calls the strings, which were introduced earlier this year, "the world's loudest, most expressive strings ever created."
I'm definitely a tone freak. Getting my tone to come out of my amps the way I hear in my head is actually an exciting journey, and a never-ending one! On the road right now, my signal starts from my hands. The most important part of my tone is how I play, because that's the sound that goes into each of my four guitars.
It’s probably not a coincidence that effects such as wah pedals and fuzz boxes started appearing en masse about the same time that recreational drugs like marijuana and LSD became popular with rock musicians.