I checked out three pedals in the Nemphasis line; the Liquid Mind Analog Chorus, The Muff Distortion and the VTComp Guitar Optical Compressor. All pedals share an easy-to-use, three-knob design, TrueBypass switching and a fully analog circuit powered by either a 9-volt battery or standard Boss-style power supply.
Luckily, musicians in search of quality signature gear — from guitars to amps to effects to pickups — don't have to worry about that nonsense. Generally, gear manufacturers work closely with their signature artists, in some cases, right down to the tiniest of details (Some artists repeatedly send back the prototypes until they're perfect).
Stevie Ray Vaughan’s guitar tone was as dry as a San Antonio summer and as sparkling clean as a Dallas debutante, the product of the natural sound of amps with ample clean headroom. However, Vaughan occasionally used pedals to augment his sound, mainly to boost the signal, although he occasionally employed a rotating speaker cabinet and wah pedals for added textural flair.
The origin of guitar distortion goes back to the earliest electrified blues guitarists. They didn’t care that their primitive tube amps were breaking up and distorting, as long as they were loud. Soon, blues guitarists grew quite fond of those nasty, gnarly distorted tones, and they sought to replicate them by any means necessary.
Dunlop Manufacturing, in partnership with Guitar Center, has announced the new MXR Prime Distortion pedal. It is available exclusively at Guitar Center stores, Guitar Center online and Musicians Friend online. This new pedal will be available for purchase on May 22.
Let's face it, bringing a 100-watt guitar amp to your average weekend bar gig is a lot like taking a Lamborghini to Shop Rite for Sunday-afternoon grocery shopping. You simply don't need all that power.