Netherlands-based Aristides Instruments has introduced its new 070 seven-string electric guitar made of "arium." Arium is a new material designed by Poort Artistides and Delft University in the Netherlands.
Growing up as a '90s kid, I remember Tim Allen’s character on Home Improvement being obsessed with giving his power tools one thing — more power! Ernie Ball did just that when it revamped its popular Power Peg String Winder and created the Power Peg Pro. If you’re unfamiliar with the product, it's a battery-powered string winder built into a compact drill.
The Tapo by Editors Keys takes two common accessories — a capo and a clip-on tuner — and puts them together in one handy piece. The capo end of the Tapo is indeed a sturdy metal capo. It has appropriate rubber padding so it doesn't scratch your instrument. There's a visible spring that keeps tension in order.
John Petrucci’s relationship with Music Man stretches back more than a dozen years and encompasses a variety of signature-model guitars. But in their long history together there’s never been anything quite like Petrucci and Music Man’s newest creation, the JP13.
Some storied amp manufacturers are happy to chase the next trend-setting sound or reissue inferior modern versions of their classic offerings. Orange Amplification, on the other hand, has devoted itself to refining the gear behind its long-loved, uniquely expressive, valve-derived tones.
At first glimpse, the Orange Micro Terror amp head looks like a tiny scale model of the already diminutive Orange Tiny Terror head. After hearing it plugged in and cranked up, it seems more like a cunning magic trick, because your eyes will tell you that there’s no possible way an amp that small can sound so good and produce volume output that loud.
Dr. Evil may have never gotten his sharks with “frickin’ laser beams,” but Taiwanese rock god Leehom Wang had no such problem when he asked Irish luthier Alistair Hay of Emerald Guitars to create the Bahamut, a guitar in the shape of a metallic dragon, complete with laser eyes.
For this demo I chose a Shure SM57. This is a dynamic mic and very common in the music world. I also chose a large diaphragm condenser mic; one of my favorites is the Neumann TLM193. Finally, I went with a ribbon mic, the Royer R-121. I mic'd up a Marshall 1960B cabinet. The head used is a Line 6 DT25. The guitar is a JTV-89.