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Interview: Guitarist Robby Krieger Discusses The Doors' Albums and Working with Jim Morrison

Yngwie Malmsteen Discusses his Roots, His Rep and his Latest Album in this 1986 Guitar World Interview

Rolling Stones: Keith Richards on the Making of 'Exile on Main St.'

Let the Good Times Grohl: Dave Grohl Talks 'Sound City: Real to Reel'

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Shred Zeppelin: How to Play Like Jimmy Page

A Clean Sweep: Mastering Sweep Arpeggios with John Petrucci

The Capo Crusader: An Acoustic Arrangement of The Who's "Baba O'Riley"

The Capo Crusader: An Acoustic Arrangement of Guns N' Roses' "Sweet Child O' Mine"

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Blues Power: An In-Depth Guide to the Amps and Effect Pedals in Stevie Ray Vaughan’s Arsenal

La Grunge: The Top 10 Blues-Approved Overdrive/Distortion Pedals

Small Wonders: Five Essential 15-Watt Guitar Amps

40 Years After "Smoke On the Water," Fender Custom Shop Introduces Ritchie Blackmore Tribute Strat

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GOLDEN GODS HIGHLIGHTS

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Gear

Stevie Ray Vaughan: Blues Power

An in-depth guide to the amps and effect pedals in Stevie Ray Vaughan’s arsenal.

La Grunge: Blues-Approved Overdrive

We look at the Top 10 blues-approved overdrive and distortion units around.

Small Wonders: Five Hot 15-Watt Amps

From Fender to Mesa Boogie to Vox, here are five essential 15-watt guitar amplifiers.

Blackmore's Smokin' Strat

Forty-plus years after "Smoke on the Water," meet Fender's Ritchie Blackmore Tribute Strat.

Stevie Ray Vaughan: Blues Power

Artist Slideshow Image:

Title: Blues Power: An In-Depth Guide to the Amps and Effect Pedals in Stevie Ray Vaughan’s Arsenal

La Grunge: Blues-Approved Overdrive

Artist Slideshow Image:

Title: La Grunge: The Top 10 Blues-Approved Overdrive/Distortion Pedals

Small Wonders: Five Hot 15-Watt Amps

Artist Slideshow Image:

Title: Small Wonders: Five Essential 15-Watt Guitar Amps

Blackmore's Smokin' Strat

Artist Slideshow Image:

Title: 40 Years After "Smoke On the Water," Fender Custom Shop Introduces Ritchie Blackmore Tribute Strat

Latest Gear

MXR M288 Bass Octave Deluxe Pedal

Posted 09/15/2009 at 10:21am | by Ed Friedland

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The M288 is an excellent octave pedal full of thick-and-juicy analog goodness.

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Orange Dual Terror Head

Posted 09/10/2009 at 10:39am | by Eric Kirkland

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If you loved the Tiny Terror but want more power and the ability to switch between rhythm and lead settings, the Orange Dual Terror will be your new best friend.

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Eventide PitchFactor Harmonizer Pedal

Posted 09/08/2009 at 2:46pm | by Chris Gill

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If you've always lusted for the inimitable pitch-shifting effects of an Eventide Harmonizer but couldn’t afford one, the PitchFactor is the pedal you’ve been waiting for.

» Read More

Taylor T3/B Semi-Hollowbody Electric Guitar

Posted 09/08/2009 at 1:17pm | by Chris Gill

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Comments

Producing a broad palette of tones that bridge the gap between traditional semi-hollow and solidbody guitars, the T3/B offers guitarists a bold new voice.

» Read More

Charvel So-Cal and San Dimas Electric Guitars

Posted 08/27/2009 at 2:01pm | by Eric Kirkland

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Comment

These axes will satisfy shredders of all ages, from players for whom the Charvel name is just a legend to—especially—those who have experience playing the originals.

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Boss TU-1000 Professional Stage Tuner Review

Posted 08/19/2009 at 11:40am | by Guitar World Staff

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Comments

In a world where everything is getting smaller, it’s nice to see a company think big. For 2009, Boss has expanded its lineup with the TU-1000 Professional Stage Tuner.

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Mesa/Boogie Mark V Amplifier

Posted 08/18/2009 at 11:14am | by Guitar World Staff

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Comments

The Mark V is like a greatest-hits package for tone. It’s like having a faithful recreation of Mesa’s most legendary amplifiers—such as the Mark I, IIC+ and IV—packed into one amp, along with bonuses like all-new British-inspired circuits.

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Gear Spotlight: Randall Gus G T2HH

Posted 08/18/2009 at 10:25am | by GuitarWorld Staff Member

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Watch this video demo on the new Randall amp.

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Ibanez Paul Gilbert Signature AF2 Airplane Flanger Pedal Review

Posted 08/17/2009 at 11:53am | by Guitar World Staff

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For years, one of Paul Gilbert’s signature sounds came from a flanger pedal that had been modified to change pitch from high to low, creating a wild dive-bomb effect.

» Read More