Power Chords, Perfect Fifths and the Consonant Interval
For those who might not be familiar with intervals, we’ll start by reviewing the core concept.
The term sounds kind of advanced, but an “interval” simply refers to the distance between two notes, while a harmonic interval is when you play two notes at the same time.
So to bring the simplicity home, a power chord is a harmonic interval, and most of us are pretty comfortable with power chords.
So when you’re playing a “perfect 5th power chord,” you’ll typically have two major components:
01. The root note (typically the lowest note)
02. The consonant interval.
For a power chord that has a root note on the sixth string, you can make it a perfect fifth by simply playing the fifth string two frets up. For example, a G5 power chord would look like this:
If you’ve been playing guitar (particularly electric guitar) for any length of time, you’ll know this chord is incredibly common and is even exclusively used in many songs.
So why does this matter?
Perfect fifths make it incredibly easy to find the consonant interval, which can be simply thought of as two notes that resolve or “sound good together” and don’t leave you wanting. The term “staple” is also used to describe a consonant chord or interval.
Additionally, perfect fifths make it easy for you to find octaves, assuming you’re playing your chord on either the fifth or sixth string.
Playing a power chord on the fourth or third string changes things a bit because of the tuning of the second string to B, which means you have to reach further for one of your consonant notes; three frets up instead of two. This is just something to keep in mind.
For this lesson, we’re just dealing with power chords played on the sixth and fifth strings.
So let’s recap — perfect fifth power chords give us easy access to:
01. A consonant note in an interval
02. The octave of our root note.
It pays to understand this concept whenever you want to start figuring out how to improvise because it gives you a starting point and provides some simple structural components to start out with.
You know now that any power chord with a root note on the sixth or fifth string will have a workable or “stable” note two frets and one string up. Additionally, you’ll have an octave of that note two frets and two strings up.