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The Scorpions talk new Unplugged release and a farewell album of songs from their heyday
Paul Stanley and Gene Simmons take off the makeup to discuss their 40 years in Kiss.
May 1984 issue: Guitar World readers get introduced to a new blues sensation from Texas.
Osbourne and Wylde discuss the creation of 1988's No Rest for the Wicked.
For the first time ever, Jimi Hendrix's rhythm section - drummer Mitch Mitchell and bassist Billy Cox - get together to discuss Jimi's legendary Woodstock performance.
They're the guitarists behind one of Sweden's most technically ambitious progressive metal acts. But what Guitar World readers really want to is...
As U2's innovative guitarist, The Edge is no stranger in taking risks. Here, he reflects on his 25 years with rock's most musically adventurous and life-affirming band.
The Mars Volta's reluctant guitar hero, Omar Rodriguez-Lopez, talks about their new album, Amputechture, and his animosity for his instrument.
Mastodon buds Brent Hinds and Bill Kelliher discuss the reefer madness and riffin' magic that helped them scale the heights of Blood Mountain, the group's killer new conceptual prog-metal masterpiece.
The metalcore progenitors hit back with the brilliant and brutal III: In the Eyes of Fire.
The multifaceted Brits take their influences to a new extreme called "Nintendo Metal."
With Sacrament, the leaders of the underground make their bid for the heavy metal crown.
Living Colour guitarist Vernon Reid talks about the sources of his creativity, how his personal experiences touched on his art — in short, why he plays guitar.
They started as Ziggy Stardust wannabes and invented punk rock in the process. This is the crazy, mixed-up story of the New York Dolls, the most magnificently self-destructive band in rock history.
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