Here's our interview with Yngwie Malmsteen from the January 1986 issue of Guitar World. He discusses his roots, his rep and his 1985 album, Marching Out.
The creators of a new film dedicated to the electric guitar — and all the magic and mayhem that comes with it — need tens of thousands of dollars to buy music clearances for the clips in the film. And they've turned to a crowd-funding website, indiegogo.com, for help.
In the early 1980s, a few years before Russ Freeman gathered a bunch of his L.A. musician friends together to create the groundbreaking Rippingtons' debut Moonlighting, the multi-talented guitarist and composer spent time on TV sound stages listening to orchestras play.
Within hours of releasing the self-titled debut album from his new project, Bloody Hammers, singer Anders Manga was offered a record deal. As a career independent artist, Manga was well established and successful on his own terms but decided to take the plunge with SoulSeller, determining that they were the right company at the right time.
Among this morning's new releases are a pair of live products from Peter Frampton, both issued by Eagle Rock Entertainment. FCA! 35 Tour: An Evening With Peter Frampton came out on 2DVD/Blu-ray, and The Best Of FCA! 35 Tour was released as a 3CD set.
"Well, the whole drop-D tuning thing was probably popularized in Seattle as a consequence of our success. And we couldn’t be stagnant and just stay there, so we started playing around with other tunings."
The first time I heard Jessie Murphy and We Are The Woods, I thought maybe they were a bit too sweet and pretty for Guitar World. But on further inspection, Murphy has proved me wrong. She can enrapture and wail! Part rocker, part quirkster, part folky, part songstress. Murphy’s parts make a very delightful whole.
The band, its label and its management also came up with the idea to release the three discs in succession rather than put them out all at once or as a set. ¡Uno! comes out September 25, ¡Dos! hits on November 13, and ¡Tré! will be released on January 15, 2013. It’s an unconventional move, but one that’s perhaps more attuned to the short-attention-span digital era.
“This isn’t ‘old-timer’s day,’ ” Paul Stanley says of Kiss in 2012. “If that’s anybody’s idea of what we’re doing, then that’s just morbid and ridiculous.” Indeed, the 60-year-old singer and guitarist has just one word for those who question whether there’s still a fire raging beneath Kiss’ pancake-makeup exterior: Monster. That’s the title of the band’s new and—zounds!—20th studio album, which is Kiss’ hardest-hitting effort since 1992’s Revenge. The collection’s 13 tracks are streamlined and direct, with a vibe that recalls their Seventies-rock heyday and a sound that is solidly modern.
The Gaslight Anthem have been compared to Bruce Springsteen so many times that it almost seemed an inevitability when the Boss hopped onstage with the New Jersey quartet at England’s Glastonbury Festival in 2009. Their 2010 album, American Slang, was essentially Born to Run remade by four snot-nosed punks.