“It was certainly not part of my agenda, but I really couldn’t be happier,” Coverdale says of the twists of fate that prompted him to revisit the Purple catalog. “It looked just like a cosmic plan, like God’s chessboard moving the pieces into place.”
Mark Tremonti is not the kind of guy who likes to sit still. Between his stint in Creed, his regular gig in Alter Bridge and with his latest project Tremonti, he consistently finds himself amidst a never-ending cycle of writing, recording and touring.
For more than 20 years, Boise, Idaho–based Built to Spill have been carving out a distinct niche in the rock and roll universe, balancing a tuneful, indie-pop aesthetic against a tendency to fly off on long, distorto-guitar excursions that recall the work of Dinosaur Jr’s J. Mascis and Neil Young in full-on Crazy Horse mode.
Kicking Harold—a band featuring Tim David Kelly (lead vocals, guitar), Bret Domrose (bass) and Michael Odabashian (drums)—consider themselves modern rock alchemists, with "modern" being the operative word. In fact, the first single from their latest album, Red Light District, fits that philosophy rather nicely.
The Milk Carton Kids' Kenneth Pattengale and Joey Ryan are studied craftsmen of the folk tradition. Over the course of their five years together as a band, they have mastered the delicate vocal harmonies, sophisticated songwriting and subtle musical interplay set forth by seminal folk duos such as Simon and Garfunkel or Welch and Rawlins.
Las Vegas-based hard rock band Adelitas Way first tasted success after the release of their 2009 self-titled debut album. That album's ﬁrst single, “Invincible,” became an instant top-five Active Rock smash.
Shortly after Deep Purple keyboardist Jon Lord died in 2012, Whitesnake vocalist—and former Deep Purple frontman—David Coverdale reached out to guitarist Ritchie Blackmore about the possibility of working on a project together in Lord’s honor.
As the primary songwriter in Oasis he was responsible for such Nineties mega-hits as “Wonderwall” and “Champagne Supernova,” and occasionally had violent, public fights with his singer brother Liam. But what Guitar World readers really want to know is…
While Kotzen primarily uses his RK5 live in conjunction with his standard amp rig, this compact unit embodies an entire rig on its own. At its heart is the all-analog SansAmp, which makes it possible to go direct to a PA or mixer. For effects, you have the essentials: a reverb, a delay with tap tempo, a powerful boost and Kotzen’s Signature OMG overdrive.