Alongside Chevelle and Middle Class Rut, the electronic-rock pioneers in Chicago's Janus have just embarked on an extensive tour in support of their new album, Nox Aeris, which is scheduled for release on March 27.
In the six years since her last release, Let Your Ghost Go, Megan Reilly started a family, toured with Neko Case, The Mekons, Tom Verlaine and Grant Lee Philips, and moved twice. And, of course, she has been plugging away at writing and recording her new album, The Well, which is slated to step into the light on April 24.
Guitarist Andy Timmons and his band -- bassist Mike Daane and drummer Mitch Marine -- will perform Monday, March 19, at Iridium in New York City. Timmons will highlight songs from his 2011 release, Andy Timmons Band Plays Sgt. Pepper, an all-instrumental affair that pays tribute to The Beatles' 1967 masterpiece, Sgt. Pepper's Lonely Hearts Club Band.
It's hard to believe it has been 30 years since Phil Collen joined Def Leppard. Since that time, the band has pretty much done it all. They've put out some of the biggest-selling albums of all time. They've sold out countless shows. And at a time when many artists can make a living as a nostalgia act, Collen continues to explore creative new endeavors.
His Nashville studio is full of sweet vintage gear, but Dan Auerbach isn't just a retro-obsessed guitar hound. The Black Keys guitarist gets his motor running for an in-depth discussion about his group's latest album, El Camino.
The following is excerpted from Randy Rhoads by Steven Rosen and Andrew Klein (Velocity Publishing Group). In 1979, Randy Rhoads had to decide whether to stay with a struggling unknown act called Quiet Riot or join forces with the famous former lead singer from Black Sabbath. The decision wasn't as easy as you think. Dana Strum -- the Hollywood-based Badaxe and Slaughter bassist who Ozzy considered for his band -- recalls the events surrounding Randy Rhoads' audition for Ozzy Osbourne.
It's easy for a band to try and tackle lofty philosophical concepts over the course of an album and come off as pretentious, or even worse, boring. Thankfully, German art rock band RPWL avoided the pitfalls that so many of their peers fall victim to, delivering an album of orchestrated guitars and dense atmospherics that reflect the heady mood of the album.