The Doors’ Jim Morrison lit the world on fire, but it was guitarist Robby Krieger who supplied the matches. In 2008, the legendary axman shed light on one of rock’s most mysterious bands for Guitar World.
Vangough’s new album, Between The Madness, is the third studio project from the Oklahoma City-based prog-rock band. It also marks the debut of new drummer Kyle Haws, who joins bassist Jeren Martin and founder/vocalist/guitarist Clay Withrow on the 70-minute project.
“That’s our first Alter Bridge Gold record,” guitarist Mark Tremonti says, gesturing toward a plaque in an upstairs room of his Orlando mansion. It’s an unusually hot October day and Tremonti is showing Guitar World around his house. In the same room, he directs our attention toward a row of smaller, magazine-sized frames. “We’ve got some Guitar Worlds up there.
Following a set of European shows that begin early in January, a coast-to-coast run picks up on March 20 in Toronto and continues on through the end of April before wrapping up in Guadalajara, Mexico. The tour can also be labeled “An Evening with Dream Theater” because there will be no opening acts.
It’s been a busy year for south-paw guitarist Dee J Nelson. In addition to creating his popular guitar lessons for Metal Method and offering private instruction, Nelson has contributed music to the upcoming Dope album, Blood Money, that’s set for release in 2014.
Although the California-based up-and-comers released their debut album, Highest Society, in 2010, all the members had been making music long before then. It just took a while for their paths to cross before forming as SpiralArms in 2004.
With their major-label debut, Damage, climbing the Billboard Heatseekers charts, and the single “Bounce” doing the same at rock radio, guitarist/songwriter Justin McCain was finally experiencing long-awaited success with his band, Emphatic.
Critics snubbed it upon its release in 1972, but Exile on Main St. has become one of rock’s greatest landmarks. Keith Richards recalls the making of the Rolling Stones' masterpiece and how the album’s new reissue project became a walk down memory lane.