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Robby Krieger sheds light — album by album — on one of rock’s most mysterious bands.
Here's our interview with Yngwie Malmsteen from the January 1986 issue of Guitar World. He discusses his roots, his rep and his 1985 album, Marching Out.
Keith Richards recalls the making of the Rolling Stones' masterpiece.
Dave Grohl discusses his star-studded multimedia celebration of rock's former glory.
They're the guitarists behind one of Sweden's most technically ambitious progressive metal acts. But what Guitar World readers really want to is...
He's a perfection-driven, genre-bending ax slinger from Texas with one of the most distinctive electric guitar tones in music. But what Guitar World readers want to know is...
As U2's innovative guitarist, The Edge is no stranger in taking risks. Here, he reflects on his 25 years with rock's most musically adventurous and life-affirming band.
The Mars Volta's reluctant guitar hero, Omar Rodriguez-Lopez, talks about their new album, Amputechture, and his animosity for his instrument.
Mastodon buds Brent Hinds and Bill Kelliher discuss the reefer madness and riffin' magic that helped them scale the heights of Blood Mountain, the group's killer new conceptual prog-metal masterpiece.
The metalcore progenitors hit back with the brilliant and brutal III: In the Eyes of Fire.
The multifaceted Brits take their influences to a new extreme called "Nintendo Metal."
With Sacrament, the leaders of the underground make their bid for the heavy metal crown.
Living Colour guitarist Vernon Reid talks about the sources of his creativity, how his personal experiences touched on his art — in short, why he plays guitar.
They started as Ziggy Stardust wannabes and invented punk rock in the process. This is the crazy, mixed-up story of the New York Dolls, the most magnificently self-destructive band in rock history.
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