Female-fronted Swedish melodic death metal band Arch Enemy have steadily built up their fan-following. They have released nine studio albums in the past 15 years and toured with the biggest names in heavy metal including Iron Maiden, Motorhead, Megadeth, Opeth and many others.
UFO, one of the pioneers of the New Wave Of British Heavy Metal movement that started in the '70s, should be no strangers to metal fans. They have been around since 1969, and barring a couple of years of inactivity here and there, they have been consistent at releasing studio albums boasting of some wonderful music, and some fantastic tours to support those releases.
This year marks the 40th anniversary of Queen, as evidenced by the recent two waves of Queen remasters, the latest of which was rolled out on September 13. But the band are working on a reissue of another kind: Queen drummer Roger Taylor has launched a North American talent search that gives singers, guitarists, bassists, keyboardists and drummers the chance to star in the official 2012 Queen Extravaganza Live Tour.
Chris Isaak grew up in California idolizing the Million Dollar Quartet and other legendary artists nurtured by Sun Records visionary Sam Phillips. He never abandoned those roots, even as he climbed the charts with hits like “Wicked Game” and gained wider fame as a film and television actor.
On Revocation’s recent Boston tour stop (and hometown show), I had a lot of fun hanging out with the band's wailing singer, founder and all-around badass guitarist, David Davidson, and the band's monster drummer, Phil Dubois Coyne. I caught up with David recently to talk about Revocation’s new CD, Chaos Of Forms, his influences, gear, practice regimen, and his thoughts on music piracy among other things.
No, he can't squeeze strings like Albert King or Albert Collins. And he doesn't have the grit of an Otis Rush or Lowell Fulson. He's got a great voice, but it's not in the same league with all-time greats like B.B. King or Big Joe Turner or Wynonie Harris.
Umphrey’s McGee may be the only nationally touring act deserving of the title "prog-rock jam band." A staple of the jam scene for more than half a decade, the band has made a name for itself by combining bold improvisation and a guitar-heavy “progressive aggressive” approach into their incendiary live sets.
For fans of R&B, blues, jazz, bop, swing, and real rock and roll, it's hard to imagine a time when Duke Robillard hasn't been here, part of our collective vocabulary in the dictionary of "cats who got it."