“After this, Mötley’s done!” proclaims Mick Mars. He’s talking about Mötley Crüe’s recently announced Final Tour, which will see the band crisscross the globe—with Alice Cooper in tow for the North American leg—for one last hurrah. It’s a farewell celebration of the highest order, and one that is, Mars assures, truly a farewell.
When news broke in the early evening of May 2, 2013, that longtime Slayer guitarist Jeff Hanneman had succumbed to liver failure at age 49, a shockwave of atomic force rippled its way across the metal community that left many stunned.
Have you ever wanted to learn the nuances of songwriting and the music business from one of greatest guitarists of all time? Look no further than the inaugural Vai Academy Song Evolution Camp, which takes place June 23 to 27 in Saratoga Springs, New York. And yes, that's Vai as in Steve Vai, the virtuoso guitarist, composer and producer. The camp is billed as the entire manual for being an independent musician — condensed into three days of classes.
Funded entirely by the band’s loyal fan base via a Kickstarter campaign, the new album also is the band’s boldest artistic statement to date. From the anthemic “Criminal” (Hear it below) to songs like “Twisted Halos," “Crooked Smiles” and “Crash & Burn,” the album takes the listener on a journey of struggle and triumph, weaving those feelings into every track.
In his new autobiography, Honestly: My Life And Stryper Revealed, guitarist Michael Sweet bares his soul. Within its pages, the Stryper frontman details everything from his humble upbringing and troubles with the law to the rise, fall and rebirth of Stryper.
With a lot of talent and a little bit of luck, a new generation of acoustic guitar fingerstylists are blazing a new style of percussive, alternate-tuned shred. In the Eighties, radical fingerstylists like Michael Hedges and Preston Reed pioneered an acoustic guitar style based on an alternate-tuned, percussion-heavy, new age–tinged sound.
"With Stones Gear, I wanted it to be even more over the top. So if you’re a Stones fan, you can read the story of the band, learn about the equipment they used and actually see pictures of the band using the equipment from sources that people just don’t have access to.”
This is the music I grew up on. My first guitar was a Gretsch 6120, and I just loved listening to artists like Elvis, Chuck Berry and Stray Cats. But when I wanted to go make records, it was hard. I couldn't really be on the show [Drake & Josh] and then go in and do a three-piece rockabilly-type record of Fifties music.