Guitar legend Jimi Hendrix died in London 44 years ago this month — on September 18, 1970. He was only 27. Although all these facts have become common knowledge for rock and guitar fans, there was a moment when it was actual news — the sort of announcement that makes you always remember where you were when you heard it.
Fourteen-year-old guitarist Ray Goren describes LA Sessions, his new EP, as a unique mixture of everything from Jimi Hendrix to Stevie Wonder. Considering the fact that Hendrix’s producer, Eddie Kramer, worked on the EP, it’s hard to argue.
As we've reported several times, Outkast's André Benjamin (a.k.a. André 3000) will star in a new Jimi Hendrix biopic called Jimi: All Is By My Side. Even though the film won't hit theaters till the fall, you now can check out the film's first official trailer below.
An Independence Day parade of solo-guitar versions of "The Star-Spangled Banner" by Slash, Steve Vai, Dave Mustaine, Zakk Wylde, Eric Johnson, Stevie Ray Vaughan, Ted Nugent and -- of course -- Jimi Hendrix.
Musicians can still be a little fuzzy when it comes to describing the sound of a fuzz box. Some guitarists will tell you it sounds like a 2,000-pound bee trapped in a sturdy metal box — perhaps with a potentiometer installed somewhere behind the wings. And while many early fuzz guitar tunes and tones did indeed make the most of the original fuzz buzz, fuzz actually has many facets, many sides, many fuzz faces, if you will.
Of the myriad contributions Jimi Hendrix has made to the lexicon of modern guitar, one of the most enduring is the legendary “Hendrix chord." The chord, an E7#9, was definitely nothing new when Hendrix famously used it in “Purple Haze” (Jazz and R&B guitarists used it extensively, and the Beatles featured it years earlier on “Taxman”), but its use by Jimi inspired its use by generations of guitarists in a wide range of styles.