A new 2CD/2LP live set documenting the Jimi Hendrix Experience's performance at the 1970 Atlanta Pop Festival has been announced. Freedom: Atlanta Pop Festival is set for an August 28 release via Legacy Recordings. You can pre-order it here.
This DVD includes his go-to soloing patterns, extended pentatonic and blues-scale positions, signature phrasing and articulations, string bending, vibrato and whammy bar usage, strummed octaves, thumb fretting and chord embellishments, plus essential gear and how to recreate Jimi's tone!
Here's another entry from the "Look what's making the rounds on Facebook!" file. It's a (vertically shot, ugh) video of a one-armed guitarist named "Mark" playing a high-quality version of Jimi Hendrix's "Voodoo Child (Slight Return)," outdoors, on a street, somewhere.
Nobody knows the ins and outs of Jimi Hendrix's guitar sound like Roger Mayer. Mayer introduced Hendrix to his Octavia, a unit that added an octave overtone to the original note. Hendrix loved the sound and used it on the solo to "Purple Haze." The rest, as they say ...
An Independence Day parade of solo-guitar versions of "The Star-Spangled Banner" by Slash, Steve Vai, Dave Mustaine, Zakk Wylde, Eric Johnson, Stevie Ray Vaughan, Ted Nugent and—of course—Jimi Hendrix.
Many guitar players—at some point—can't help but fall under the spell of the sounds found on classic rock albums of the mid- to late Sixties. Players like Jimi Hendrix, Eric Clapton, Jeff Beck, Jimmy Page, Pete Townshend and Robby Krieger were synonymous with wah, fuzz, univibe and/or tremolo. Throw George Harrison and Brian Jones into the mix and you get sitars and other sound- (and mind-) altering effects. They were always experimenting, changing things up, trying to top each other.