In the new March 2012 issue of Guitar World, Lamb of God’s Mark Morton and Willie Adler tell how the most important contemporary metal group in the world has blazed a new trail for itself with Resolution, Lamb of God’s diverse new album.
Look around you. There seems to be a seven-string renaissance happening at the moment. Actually, eight-string guitars seem to be going pretty strong, too. But there's something particularly satisfying about plugging in a seven and riffing out in between the traditional ranges of the guitar and bass.
These are the sounds of a man granted a private preview of a masterpiece-in-progress by a giant of rock guitar. Open-mouthed enthusiasm hardly becomes a Jaded Journalist, but what can you do when you're blown away? I'm sitting In Joe Satriani's cozy suite in L.A.’s Le Parc Hotel. The guitarist opens a door leading to the terrace and considers unpacking his clothes. We agree to first hear “a few” of his new tunes, and discuss rock star finery later (particularly our mutual fondness for Big John black jeans).
Steve Vai's career, thus far, has been a series of one hard act to follow after another. First, he replaced Adrian Belew as the resident wang-bar king in Frank Zappa's band. Next, he replaced the incredible Yngwie Malmsteen in Alcatrazz. And now, as the lone guitarist in David Lee Roth's band, he has the dubious distinction of being compared to Eddie Van Halen, at least in the mind of the public.
Things have certainly been changing for Joe Satriani. Suddenly a lot of people besides a few musicians know his name, have heard about his awesome chops, are picking up his first record, Not of this Earth. Which must be why, on this hot and muggy Sunday night in New York hundreds of folks have thronged to a converted church, now a club, called Limelight. In conjunction with the New Music Seminar, Guitar World is sponsoring a concert featuring Satriani.