This month, I’d like to delve deeper into concepts for expanding scalar ideas across the fretboard. As in the previous columns, I’ll demonstrate how to move diagonally across the fretboard to connect scale positions, an approach that I employ to a great extent to play melodic phrases and solos.
Over the Oscars- (and snow-) filled weekend, Dream Theater guitarist John Petrucci made his debut appearance on That Metal Show. You can check out a pro-shot clip of Petrucci's shred-packed performance, a highlight of the series' Season 14 debut episode, below.
Electric guitars are often compared to cars, but one important distinction is that car design continues to progress across the board, while guitar design, with a few notable exceptions, seems predominantly stuck in bygone eras.
Everyone eventually sits in with their spouse's Judas Priest cover band—and Dream Theater guitarist John Petrucci is no different! Below, watch Petrucci perform "Beyond the Realms of Death" with Judas Priestess, a band that happens to feature his wife, Rena Sands, on guitar.
It's our first SBMM 'Chameleon' finish, and was selected by JP himself earlier this year between DT tours. Needless to say, it's probably our most requested finish since day one, and we searched high and low for something that could be our counterpart to EBMM's Mystic Dream finish. John personally selected this out of several samples we sent him.
Hello, and welcome to my new Guitar World instructional column. In the coming months, I’ll share with you some of the guitar-playing concepts and approaches that have helped me develop my technique and overall playing style. I’d like to start off with an examination of ascending scalar shapes that, by design, cover the majority of the fretboard.
Late last week, the gang at Mesa/Boogie posted a video of Dream Theater guitarist John Petrucci (and his signature Ernie Ball/Music Man Majesty guitar) testing out a prototype of the company's Mark 5 Twenty-Five guitar amp.
I begin in ninth position with a fairly compact shape that spans the ninth to 12th frets. At the end of bar 1 and moving into bar 2, the fret hand shifts down two frets and spreads out to cover a four-fret span, from the seventh fret to the 11th. Use your first, second and fourth fingers to fret the notes.