In the newly posted video below, Dream Theater guitarist John Petrucci discusses and demos Ernie Ball's M-Steel guitar strings. Ernie Ball calls the strings, which were introduced earlier this year, "the world's loudest, most expressive strings ever created."
“I was also blown away by how a three-piece band could sound so majestic and huge and play in a style that’s inherently rock and roll yet still pushes the boundaries of what they’re doing musically—this idea of being experimental, using different time signatures and not really being concerned about song length and traditional constraints. I can’t tell you how huge of an impact that had on me. 2112 basically set the course for my musical career and how I approached Dream Theater.”
As I have discussed in previous columns, I often use triadic arpeggio forms within my riffs and solos as a tool to create rich-sounding, poly-chordal sounds. I’d like to continue in that vein in this month’s column by presenting different ways in which to move from one arpeggio form to another.
Here’s a blast from the past. A young John Petrucci accompanies Dream Theater singer James LaBrie in this tenderly performed acoustic version of “Another Day.” Yes, the audio is spotty, but it’s worth checking out nonetheless.
This month, I’m going to demonstrate how one can utilize simple triadic shapes and patterns in order to imply more complex and varied chord qualities. I find this to be a very cool and useful improvisational tool, because you can apply it to playing over either a chord progression that you want to outline melodically or over a static pedal tone.
Over the years, people have noticed that when I play certain runs, my fingers move in the opposite direction of the notes that they hear. For example, as my fret hand moves up the fretboard, the sequence of notes that is heard descends (and vice versa).
Let’s continue with a topic that I addressed in last month’s column: focusing on the formation of specific scalar patterns, or “shapes,” and how to connect them while traversing the fretboard. To me, this concept and approach offer a sensible way to practice these ideas/patterns in order to build up one’s chops while also increasing overall fretboard awareness and mastery of scales.
The Guitar World gang visited the Ernie Ball Music Man booth at the 2014 Winter NAMM Show in Anaheim, California. Below, check out a video that shows off and explains the finer details of the company's new John Petrucci Majesty model.