This month, I’m going to demonstrate how one can utilize simple triadic shapes and patterns in order to imply more complex and varied chord qualities. I find this to be a very cool and useful improvisational tool, because you can apply it to playing over either a chord progression that you want to outline melodically or over a static pedal tone.
Over the years, people have noticed that when I play certain runs, my fingers move in the opposite direction of the notes that they hear. For example, as my fret hand moves up the fretboard, the sequence of notes that is heard descends (and vice versa).
This month, I’d like to delve deeper into concepts for expanding scalar ideas across the fretboard. As in the previous columns, I’ll demonstrate how to move diagonally across the fretboard to connect scale positions, an approach that I employ to a great extent to play melodic phrases and solos.
Let’s continue with a topic that I addressed in last month’s column: focusing on the formation of specific scalar patterns, or “shapes,” and how to connect them while traversing the fretboard. To me, this concept and approach offer a sensible way to practice these ideas/patterns in order to build up one’s chops while also increasing overall fretboard awareness and mastery of scales.
The Guitar World gang visited the Ernie Ball Music Man booth at the 2014 Winter NAMM Show in Anaheim, California. Below, check out a video that shows off and explains the finer details of the company's new John Petrucci Majesty model.
As 2014 rapidly approaches, Guitar World is taking a nostalgic look back at the most popular GuitarWorld.com stories, videos, lessons and features of 2013. Be sure to check out our other Year in Review stories here!
Following a set of European shows that begin early in January, a coast-to-coast run picks up on March 20 in Toronto and continues on through the end of April before wrapping up in Guadalajara, Mexico. The tour can also be labeled “An Evening with Dream Theater” because there will be no opening acts.