The focus of this lesson will be on ornamentation in Celtic music. Most ornamentations are notated as grace notes. A grace note is performed by playing the note(s) as fast as you can, ending on the target melody note. Grace notes are notated as smaller notes preceding the target note.
These videos and audio files are bonus content related to the April 2015 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
In Guitar World's latest edition of Betcha Can't Play This, virtuoso New York City-based "subway shredder" Mike Groisman returns with this blazing tapping lick (with string skipping) in A minor. First he plays it (very) fast, then slow, followed by his explanation of the entire lick.
This particular combination works incredibly well for heavy rock or a more progressive style of soloing. I tend to use this sort of lick to transition between the scales. Because I predominantly use the pentatonic, I find the diminished seven arpeggio is the perfect ingredient to add some ferociousness into the tonality.
So you’ve spent time learning some arpeggio shapes. Now what? Arpeggios are a great musical tool that allow you to make melodic statements using harmonic (chordal) information. When playing over chord changes, using arpeggios is the quickest way to navigate your way around them.
This lick is a real showcase of how you can create legato runs using the pentatonic. Predominantly, legato patterns within the pentatonic consist of two-note-per-string pulls and hammers. I like to adopt a combination of this with a wide intervalic approach to add an extra note to the patterns.
There are 11 strings on the oud: five courses, or sets, of doubled strings and a single low string, usually a C. It is still widely popular in many places in the world. Learning basic techniques from this instrument can add a cool sound to your playing and maybe help to inspire new and fresh ideas.
Some of my favorite musical sounds are those that consist of long, flowing arpeggios, whether they are present in rock, classical, electronic music or metal. The manner by which most guitar players execute lengthy arpeggiated lines is by using sweep picking, wherein the pick is dragged in a single motion across two or more adjacent strings using either a downstroke or an upstroke.