I start this lick on the eighth fret of the high E string. You'll notice I'm combining two patterns of the pentatonic together, and I do it throughout the lick. As we are traditionally taught the pentatonic scale in the box form (or two notes per string), this will be a new way of thinking for some of you.
When learning to play guitar, many of us explore open-position triads, and maybe barre chords on the fifth- and sixth-string roots after that. But, while these shapes are essential to get under your fingers, triads can offer myriad different sounds if you take them out of their usual context and begin to expand them beyond the confines of a single octave.
If you've been following my blog posts, you will know I recently recorded guitar solos for the new White Wizzard album, The Devil's Cut. I recently got together with my band mate and fellow White Wizzard guitarist, Jake Dreyer, to go over our favorite solos from the album and show you how to play them.
What I love most about this scale is that tonally there are no surprises for the listener; it is harmonically beautiful whether played fast or slow. Obviously, this particular lick is to be played with some speed, but if you break it down, you could use any line from it and lead into a bend or slide — and it would sound incredible.