Although the last thing the red-hot Beatles needed in early 1964 was a "secret weapon," that's exactly what they got—in a beautiful Fireglo finish. George Harrison got his first Rickenbacker 12-string in February of that year, during the Beatles' first U.S. tour. The guitar was given to him by Francis C. Hall, owner and president of the California-based Rickenbacker company.
The powerful and bluesy "I've Got A Feeling," which John Lennon jokingly called "I've Got A Fever," is a true Lennon/McCartney composition. It blends — via alternation and superimposition — two incomplete songs, one by Paul McCartney, one by Lennon.
There was no mania quite as manic as Beatlemania, and it was at its undisputed height in 1964. In February, The Beatles had conquered the United States, the birthplace of their rock and roll idols, appearing twice on the Ed Sullivan Show and performing pandemonium-inducing shows at the Washington Coliseum and Carnegie Hall.
Paul McCartney, who had unofficially taken up the job of lighting various fires under the band after Brian Epstein's death, had a plan to get his band mates back into the spirit of things and, more importantly, back into the studio: a "return to our roots" approach that would make little or no use of studio artifice or multiple overdubs.
Having opened a Pandora's box with their critically acclaimed and commercially successful album Sgt. Pepper's Lonely Hearts Club Band, The Beatles faced serious competition from a variety of openminded artists who were expanding rock music's barriers.
Before getting to the “Sevens” lick, I’m going to break down the technique involved so that you will be able to apply this idea to creating riffs of your own. The genesis of the lick was in trying to find a new way to play a major-seven arpeggio. I started out by breaking it down into two notes per string, as shown in FIGURE 1a.
The studio experimentation that had begun with Revolver advanced to the next level on Sgt. Pepper’s Lonely Hearts Club Band. As 1966 came to a conclusion, the Beatles were officially a studio group, and with Sgt. Pepper’s they would indulge their newfound freedom in ways that made other artists begin to think of the recording studio as a creative tool in and of itself.
Attentive Beatles fans who purchased Let It Be when it came out in May 1970 noticed something very different about the album version of the title track: The guitar solo was markedly changed from what they'd heard on the "Let It Be" single released two months earlier.
Whether it was jealousy, ego or apathy, the other members of the band didn't seem to care too much for the tune when Harrison introduced it to them and attempted to record initial takes on August 16. After more work on the song on September 3 and 5, he decided he didn't like what he heard and scrapped the recording.
Paul McCartney was generally known for writing "silly love songs" like "Yesterday" or cheeky whimsy like "When I'm Sixty-Four," but occasionally he could rock every bit as hard as John Lennon. While The Beatles recorded numerous violent rockers, few were more fiery, savage and controversial than McCartney's "Helter Skelter."