George Harrison’s withering indictment of Britain’s progressive tax system was chosen to open the Beatles’ most progressive musical effort to date. Opening with a rasping cough and a droll count-in, “Taxman” kicks off Revolver in startling fashion, demonstrating both Harrison’s growing sophistication as a songwriter and Emerick’s budding talent for sculpting guitar tones.
In this series of videos, Guitar World's Andy Aledort explores the classic Jimi Hendrix track "Freedom," as heard on The Cry of Love. After discussing Hendrix's tuning, Andy jumps into the intro, the verses and the solos.
Revolver is the album that made the Beatles recording artists in the absolute sense of the term. Their previous six albums had demonstrated John Lennon and Paul McCartney's increasingly ambitious songwriting skills and the group's competence with a range of musical styles. But the productions, while strong, were undistinguished.
The Cowcaster is guaranteed to turn heads. That’s because it is one. The one-of-a-kind guitar, designed and built by artist Brent Gandy of Amarillo, Texas, brims with custom features — from Von Dutch–style pin striping on the back of the neck to a hand-carved bull’s head headstock — all of which are connected to an authentic bull skull.
Paul McCartney, who had unofficially taken up the job of lighting various fires under the band after Brian Epstein's death, had a plan to get his band mates back into the spirit of things and, more importantly, back into the studio: a "return to our roots" approach that would make little or no use of studio artifice or multiple overdubs.
While The Beatles spent the first months of 1969 getting back to their roots with the Let It Be sessions, EMI's Abbey Road Studios was moving headlong into the future. On November 23, 1968, Studio Two's control room had been outfitted with EMI's new TG12345 mixer, the first transistorized recording console in Abbey Road.