When Howe joined Yes in 1970, his classical influences, jazz-tinged electric guitar lines and general “experimental” musical nature had a profound impact on the band’s art-rock sound, resulting in a string of classic Seventies-era progressive rock records like The Yes Album, Fragile and Close to the Edge.
“Bad Asteroid” is a song that’s been bubbling away in my collection of unused tunes for about 18 or 19 years, and this new album gave me a good excuse to finally record it properly. In addition to requiring wacky and unusual tapping procedures, it features some nice harmonic interest in the chord progression over which the riff is played—what I like to describe as the “budget Steely Dan” chords.
“The best music happens when you have a personal connection to it,” My Chemical Romance guitarist Frank Iero says. “That same philosophy can extend to the instrument you hold in your hands: if a guitar means something special, you’re bound to do great things with it.”
More than a decade and a half has passed since Jeff Tweedy formed Wilco from the ashes of alt-country pioneers Uncle Tupelo. In that time, the group has risen to become one of the most revered acts in current popular music, mining a singular sound that is simultaneously anchored in a rootsy approach and meandering along rock's outer sonic limits.
In the following videos, Guitar World's Paul Riario reviews the new Transatlantic TA-30 1x12 Combo from Mesa/Boogie, which features a central "tone cluster" that provides a choice of five distinct sounds, ranging from Vox-and Fender-like cleans to Marshall crunch and Mesa solo tones.