While true-bypass pedals are designed to preserve the integrity of your guitar’s signal, using several true-bypass pedals chained together can still result in wimpy tone. That’s because the excess lengths of cable needed to connect everything together can suck a lot of frequencies from a signal by the time it reaches the end of the chain. The Morley Buffer Boost features a buffer circuit that gives your guitar’s signal an extra push at the front or back of the signal chain to maintain level and tone, and it also provides up to 20dB of clean boost that you can engage for solos.
In the following video, Guitar World's Paul Riario tries out the latest high-gain offering from Peavey, the new XXX II, a 120-watt amp sporting four EL34's in the power section and four 12AX7 tubes in the preamp section.
In the following video, Guitar World's Paul Riario checks out the curvaceous new Dean Custom 550 Floyd, which featues active EMG 81 and EMG 85 pickups along with a Floyd Rose 1000 locking vibrator unit.
Sometimes a pedal is just a special effect that provides a certain texture or sonic surprise that is best used sparingly. Other pedals are designed as practical tools that can form the core of a guitarist’s sound. The Pigtronix Fat Drive and Philosopher’s Rock pedals fall into the latter category and have already earned permanent places on many pros’ pedal boards thanks to their excellent sound quality and no-nonsense designs. Best of all these pedals are sensibly priced, making any player’s quest for the ultimate tone a lot easier to reach.
“We really wanted to give it the feel that you were in the room with the band,” Perry says. “Especially with headphones on. That’s how you get your best sound and have an intimate kind of experience. But loud, and rocky! I think there are a lot of different atmospheres on the record.”
Gibson pioneered the arched-top semihollow electric guitar in 1958 with the introduction of the ES-335. A thinline-bodied guitar, the 335 featured a solid block down its center, and hollow sidewings. The ES family of guitars became a favorite of electric blues players, like B.B. King, as well as rock and rollers, such as Chuck Berry, and the design has remained a favorite of blues, rock and pop players to this day. Prestige’s affordable Musician Standard brings this classic design forward, blending old-world construction and a vintage Bigsby tremolo with noise-silencing contemporary appointments and a set of Seymour Duncan high-output pickups.
Thousands of aspiring blues guitarists went down to the crossroads — but only six of them made it to Guitar Center’s Battle of the Blues Grand Finals, which took place August 18 at Club Nokia in Los Angeles.
Tosin Abasi strides into a Hollywood photo studio dressed in a crisp striped jersey, jeans and a pair of horn-rimmed glasses that make him look a bit like the young Dizzy Gillespie. He’s toting a pair of the Ibanez eight-string guitars that have become his stock in trade, sleek-bodied instruments with broad, massive necks that carry the heft and menace of weaponry.