Sometimes a pedal is just a special effect that provides a certain texture or sonic surprise that is best used sparingly. Other pedals are designed as practical tools that can form the core of a guitarist’s sound. The Pigtronix Fat Drive and Philosopher’s Rock pedals fall into the latter category and have already earned permanent places on many pros’ pedal boards thanks to their excellent sound quality and no-nonsense designs. Best of all these pedals are sensibly priced, making any player’s quest for the ultimate tone a lot easier to reach.
“We really wanted to give it the feel that you were in the room with the band,” Perry says. “Especially with headphones on. That’s how you get your best sound and have an intimate kind of experience. But loud, and rocky! I think there are a lot of different atmospheres on the record.”
Gibson pioneered the arched-top semihollow electric guitar in 1958 with the introduction of the ES-335. A thinline-bodied guitar, the 335 featured a solid block down its center, and hollow sidewings. The ES family of guitars became a favorite of electric blues players, like B.B. King, as well as rock and rollers, such as Chuck Berry, and the design has remained a favorite of blues, rock and pop players to this day. Prestige’s affordable Musician Standard brings this classic design forward, blending old-world construction and a vintage Bigsby tremolo with noise-silencing contemporary appointments and a set of Seymour Duncan high-output pickups.
Thousands of aspiring blues guitarists went down to the crossroads — but only six of them made it to Guitar Center’s Battle of the Blues Grand Finals, which took place August 18 at Club Nokia in Los Angeles.
Tosin Abasi strides into a Hollywood photo studio dressed in a crisp striped jersey, jeans and a pair of horn-rimmed glasses that make him look a bit like the young Dizzy Gillespie. He’s toting a pair of the Ibanez eight-string guitars that have become his stock in trade, sleek-bodied instruments with broad, massive necks that carry the heft and menace of weaponry.
Chet Atkins made countless recordings as a studio musician, producer and solo artist. Many of his recordings — particularly those of the artists he produced in Nashville, like Elvis Presley, Roy Orbison and the Everly Brothers — laid the foundation for early rock and roll.
This month, I'd like to address an essential point of focus for every good metal player: how to best strengthen the pick-hand technique. The examples I'm going to show you cover a wide variety of pick-hand techniques, from using all downstrokes the alternate picking to economy picking and more, offering a systematic approach to building up these different techniques that will allow you to play with more expression, control and power.
The band, its label and its management also came up with the idea to release the three discs in succession rather than put them out all at once or as a set. ¡Uno! comes out September 25, ¡Dos! hits on November 13, and ¡Tré! will be released on January 15, 2013. It’s an unconventional move, but one that’s perhaps more attuned to the short-attention-span digital era.
This month, I'd like to talk about a cool, useful technique I sometimes use called “double picking,” which involves repeating each note in a melody twice using alternate (down-up) picking. A good example of this technique can be found in the first solo I play in “An Infinite Regression,” from Animals as Leaders’ latest release, Weightless.
In the following video, Guitar World's Paul Riario tries out the new Fender Johnny Marr Jaguar Signature Model, a guitar that reviewer Chris Gill calls "the best Jaguar that the company has ever produced."