This month, I'd like to address an essential point of focus for every good metal player: how to best strengthen the pick-hand technique. The examples I'm going to show you cover a wide variety of pick-hand techniques, from using all downstrokes the alternate picking to economy picking and more, offering a systematic approach to building up these different techniques that will allow you to play with more expression, control and power.
The band, its label and its management also came up with the idea to release the three discs in succession rather than put them out all at once or as a set. ¡Uno! comes out September 25, ¡Dos! hits on November 13, and ¡Tré! will be released on January 15, 2013. It’s an unconventional move, but one that’s perhaps more attuned to the short-attention-span digital era.
This month, I'd like to talk about a cool, useful technique I sometimes use called “double picking,” which involves repeating each note in a melody twice using alternate (down-up) picking. A good example of this technique can be found in the first solo I play in “An Infinite Regression,” from Animals as Leaders’ latest release, Weightless.
In the following video, Guitar World's Paul Riario tries out the new Fender Johnny Marr Jaguar Signature Model, a guitar that reviewer Chris Gill calls "the best Jaguar that the company has ever produced."
"Earth Departure" is one of the most adventurous tunes on the new Animals As Leaders album, Weightless. The song features some very intense, complex figures that require extremely tight band interplay.
"You know,” Def Leppard guitarist Phil Collen says, “we weren’t doing what we were doing to be different. We were a bit different.” What they did was create one of the more forward-thinking, over-the-top and ultimately successful albums in rock history: Hysteria. Released 25 years ago this summer, the record spawned an astonishing seven hit singles, including “Animal,” “Love Bites” and the monster smash “Pour Some Sugar on Me.” It also hit Number One on the U.S. album chart—three times, no less—and went on to sell more than 20 million copies worldwide.
Since they became a hot live ticket in the late Seventies, Rush have had little trouble filling the arenas and EnormoDomes of the world. But in the past few years, Alex Lifeson has noticed a change in their audience, and it’s not a subtle one. “We’re reaching a lot more young kids and teens,” he says. “You look out and see all these new faces, kids with their parents. It’s a wonderful thing to be able to see your music going from generation to generation.”
Initially, I had no clue that the Lonnie Johnsons and even the Robert Johnsons of the blues world existed. I just wanted to play like [Free’s] Paul Kossoff, Jeff Beck and Eric Clapton when he was in Cream.
Once upon a time, video games were considered the nerdy domain of geeks, freaks and social misfits. Over the past couple of decades, however, the $65-billion gaming industry has become as ubiquitous and all-American as baseball and apple pie. The long-term cultural and psychological impact of gaming and the relentless pursuit of “the next level” will undoubtedly fuel countless sociology books and psychiatric papers, but for now one only has to listen to the ambitious, cutting-edge prog-rock of Periphery for a glimpse of how gaming is shaping art and music in the 21st century.