In last month’s column, I demonstrated a variety of ways to transform standard A minor pentatonic-based licks into modal runs and patterns using the A Aeolian mode (a.k.a. the A natural minor scale: A B C D E F G). This month, I will expand on the concept by applying a slight rhythmic variation to a standard A minor pentatonic pattern, again transforming it to A natural minor, and then examine these newly realized melodic shapes in different areas of the fretboard. We will then transpose the new melodic ideas to another very commonly used mode: A Dorian (A B C D E Fs G).
Lamb of God’s first blatant attempt at expanding their sound—and the receptiveness of their audience—was heard on 2009’s Wrath. On that record, they moved away from the multitracked guitars and modern production of the massively popular Sacrament and returned to a purer live guitar sound.
“The best music happens when you have a personal connection to it,” My Chemical Romance guitarist Frank Iero says. “That same philosophy can extend to the instrument you hold in your hands: if a guitar means something special, you’re bound to do great things with it.”
His Nashville studio is full of sweet vintage gear, but Dan Auerbach isn't just a retro-obsessed guitar hound. The Black Keys guitarist gets his motor running for an in-depth discussion about his group's latest album, El Camino.
The following is excerpted from Randy Rhoads by Steven Rosen and Andrew Klein (Velocity Publishing Group). In 1979, Randy Rhoads had to decide whether to stay with a struggling unknown act called Quiet Riot or join forces with the famous former lead singer from Black Sabbath. The decision wasn't as easy as you think. Dana Strum -- the Hollywood-based Badaxe and Slaughter bassist who Ozzy considered for his band -- recalls the events surrounding Randy Rhoads' audition for Ozzy Osbourne.
More than a decade and a half has passed since Jeff Tweedy formed Wilco from the ashes of alt-country pioneers Uncle Tupelo. In that time, the group has risen to become one of the most revered acts in current popular music, mining a singular sound that is simultaneously anchored in a rootsy approach and meandering along rock's outer sonic limits.
In the following video, Guitar World's Paul Riario looks at the new Rottweiler distortion pedal from TC Electronic, which features controls for gain, level, bass and treble, along with a voice switch with two distinctly different midrange voicings.