This lick is influenced by Paul Gilbert and Richie Kotzen and incorporates wide fret-hand stretches, string skipping, tapping and legato phrasing. It starts out with a three-notes-per-string A minor pentatonic [A C D E G] flurry played on the A, G and high E strings. To avoid injury, be sure to warm up your fret hand before diving into this lick.
I’ve always used the Les Paul and Gretsch White Falcon, and they’re both heavily featured on the new album. Regarding the second part, that’s a very pragmatic question. One thing I’ve done with the White Falcon is put things in the body — little bits of T-shirts or whatever — to help stop some of the feedback.
It’s difficult to imagine two human beings more different than Joe Satriani and Zakk Wylde, even just in terms of physical appearance. Satriani is slight and slender, with a clean-shaven face and head. Wylde is big and hairy, with full beard and black-leather biker garb encasing his paunchy frame.
Attentive Beatles fans who purchased Let It Be when it came out in May 1970 noticed something very different about the album version of the title track: The guitar solo was markedly changed from what they'd heard on the "Let It Be" single released two months earlier.
With no thirds, sevenths or other notes included in the backing power chords, I have the freedom as a soloist to inject minor or major thirds and sixth and sevenths into my solo lines without them clashing with the chords. In this month’s column, I’d like to focus on two of my favorite scales for soloing that include the above-mentioned intervals: harmonic minor and its fifth mode, Phrygian dominant.
Delta blues giant Robert Johnson is one of the most fascinating and mysterious performers in music history. He created an essential body of blues guitar music, recording 29 songs in 1936 and 1937 that would exert a powerful influence on the likes of Eric Clapton, Jimi Hendrix, Keith Richards, Johnny Winter and many others.
The minor scale is the most commonly used scale in metal. This month, I’d like to detail the most prevalent minor scales in metal: natural minor (also known as the Aeolian mode), the Dorian mode, the Phrygian mode and the harmonic minor scale.
My very first guitar was a nylon-string classical instrument. Since then, I’ve bought well over 100 other guitars, but none of them was a classical.
With the introduction of Cordoba’s C10 Crossover, I may have finally found the affordable classical guitar I’ve been looking for, and I’m sure many other electric and steel-string players will feel the same way.