These videos are bonus content related to the November 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
One forged the template for heavy metal. The other advanced it with virtuoso shredding. Together, they shaped the guitar universe as we know it today. Tony Iommi and Eddie Van Halen mark Guitar World’s 30th anniversary with a colossal conversation about their careers, friendship and the past three decades of our favorite instrument.
Bass is more than just a guitar with two fewer strings. It has a different tone, scale length, feel and musical role, and in many cases it requires a different conceptual and technical approach. Guitarists who are new to playing bass will often double the guitar part one octave lower. There is certainly a place octave doubling — just listen to Aerosmith's "Sweet Emotion," Led Zeppelin's "The Ocean" and Pantera's "I'm Broken." But there is so much more that can be done with the bass guitar.
When news broke in the early evening of May 2, 2013, that longtime Slayer guitarist Jeff Hanneman had succumbed to liver failure at age 49, a shockwave of atomic force rippled its way across the metal community that left many stunned.
A large painting by Metallica bassist Jason Newsted hangs prominently in the front room of Joe Satriani’s San Francisco townhouse, just above the black, upright piano where Satch composed some of the music for his newest album, Unstoppable Momentum.
The first thing that I did was write a song. As far as I can tell, it was called “Bluebird.” I still have the piece of paper, and it’s a little difficult to decipher. It looks like the scribblings of a mad schizophrenic. I remember playing that for hours and trying to impress my family that I already started writing songs.