For the past decade, amp manufacturers have waged a low-wattage amp war, all vying to produce the greatest sounding tube-powered, low-output machine.
Orange’s new Dual Dark 50 (which is also available as a 100-watt head) does far more than just repackage the Dark Terror’s high-gain engine. It offers earth-shaking tonal depth, power attenuation and two highly versatile channels, one of which is an entirely new dynamic preamp section created specifically for the Dual Dark series.
These videos and audio files are bonus content related to the July 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
“I knew the only way to do this project properly was to leave no stone unturned and to listen to every Led Zeppelin tape and performance,” Jimmy Page says emphatically. “Additionally, I really researched what had been bootlegged and what stolen material had surfaced, and I was determined to offer things people had never heard."
Since the late Seventies, thousands of guitarists have relied on a dependable pair of orange and yellow Boss stomp boxes known respectively as the DS-1 Distortion and OD-1 Overdrive.
These pedals have their own distinct sonic character, and with their low-noise performance, dynamic response and tonal versatility, they are significantly expanded versions of two of the most beloved compact pedals of all time.
Well, look at the bands who were involved in [the 2012 film] Rock of Ages. Their people came to us early and they showed us the movie and we said, “This is a complete farce. It’s a cheesy movie. It has nothing to do with rock. This is like Mamma Mia! with pretend guitars.”
This is a two-part run in A minor that I play in my solo to "Caravan of Cannibals," on Shredding the Envelope’s debut CD, The Call of the Flames. The first three bars are based mostly on the A Dorian mode [A B C D E F# G], with a couple of "outside" notes thrown in, namely D# and F.