Hello, and welcome to my new Guitar World instructional column. In the coming months, I’ll share with you some of the guitar-playing concepts and approaches that have helped me develop my technique and overall playing style. I’d like to start off with an examination of ascending scalar shapes that, by design, cover the majority of the fretboard.
Hi everyone, and welcome to my new column for Guitar World. Over the next few months, I will be demonstrating many of the totally awesome solos, rhythm parts and techniques I use in creating the incredible music for my band, Steel Panther, surely one of the greatest heavy metal bands to come out of Canoga Park in the last three years.
For these licks, I employ fretboard tapping in conjunction with string skipping to achieve a very smooth and even sound throughout. I know many guitarists prefer to use sweep picking when playing arpeggios, but to me, the sound of dragging the pick up and down across the strings is a little too abrasive and percussive.
The following content is related to the September 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
I am often asked how I incorporate chromatic notes into my solos and how I approach playing “outside” the given key center of a
song. If you have ever used the blues scale, then you have already employed chromatic notes in some of the most musical ways possible.
These videos are bonus content related to the April 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at our online store.