Revolver is the album that made the Beatles recording artists in the absolute sense of the term. Their previous six albums had demonstrated John Lennon and Paul McCartney's increasingly ambitious songwriting skills and the group's competence with a range of musical styles. But the productions, while strong, were undistinguished.
If I had a nickel for every time I heard a guitar collector say he wished he had a time machine and a wad of cash so he could go back to the Fifties, Sixties, and Seventies to stockpile a hoard of classic guitars, I’d be able to afford my own collection of vintage axes that would make Billy Gibbons green with envy.
The blues is a style of music that guitar players have explored extensively for more than a century, and will no doubt continue to explore, expand on and creatively reinvent forever. Though standard blues forms may seem simple, the greatest musicians in virtually every genre have been known to dedicate a great portion of their musical study on a further and deeper understanding of the blues in its many different incarnations. In this edition of In Deep, we’ll focus specifically on the eight-bar, as opposed to the more commonly used 12-bar, blues form.