Sure, there are scores of stellar live versions of Stevie Ray Vaughan's version of "Texas Flood" online, but there's simply something magical about this raw performance from July 17, 1982, at the Montreux Jazz and International Music Festival. The extended, dynamics-filled rollercoaster ride finds SRV reaching into his bag of King-meets-Hendrix Licks — not mention behind his back, where his Strat rested for the final third of the song.
These videos and audio files are bonus content related to the Holiday 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
Electric guitars are often compared to cars, but one important distinction is that car design continues to progress across the board, while guitar design, with a few notable exceptions, seems predominantly stuck in bygone eras.
When it comes to shred, few guitarists can rip like Paul Gilbert. As the driving force behind shred-progenitors Racer X and the chart-topping late-Eighties outfit Mr. Big, Gilbert dazzled with his unhuman fretboard range that included wide stretches and intervallic leaps.
It’s a beautiful Indian Summer day, and I’m standing on Queens Gate Road in London, England, a stone’s throw from the legendary Royal Albert Hall, where Led Zeppelin played in 1970, a performance immortalized on 2003’s Led Zeppelin DVD.
From “Dazed and Confused” to “You Shook Me” … from “Tangerine” to “The Lemon Song” … from “Trampled Under Foot” to “Stairway to Heaven” … Guitar World presents a critical analysis of the classic-rock group’s best tracks. With the recent release of Celebration Day, the concert film immortalizing Led Zeppelin’s historic and most likely final reunion concert at London’s O2 Arena on December 10, 2007, guitarist-producer Jimmy Page reminded the world just how profoundly great and enduring his band’s music is.
Perhaps only the most dedicated connoisseurs of bizarre Japanese guitars can tell that a mid-Sixties Inter Mark Cipher model lurks beneath the trinkets and ornaments covering Shawn Mayo’s customized guitar. In fact, for many years Mayo thought it was a Harmony model, due to the Harmony neck that a previous owner used to replace the original neck.