Here's a fast run up the fretboard that I call "the Dominizer" because it’s based on a dominant seven arpeggio, specifically, A7 [A C# E G]. In the first two bars, I play the arpeggio classical-style through several inversions on the top three strings, four notes up, then four notes down, with a quick position shift every two beats.
In this month’s column, I’d like to initiate a detailed breakdown of the guitar solo on the title track from Nevermore’s latest album, The Obsidian Conspiracy. This is a fairly complex solo, 14-bar bars in total length, so let’s begin with a look at the first six bars, including both the rhythm and lead guitar parts.
Hi everyone, and welcome to my new column for Guitar World. Over the next few months, I will be demonstrating many of the totally awesome solos, rhythm parts and techniques I use in creating the incredible music for my band, Steel Panther, surely one of the greatest heavy metal bands to come out of Canoga Park in the last three years.
The following content is related to the September 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
These videos are bonus content related to the April 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at our online store.
We’ve traveled nearly 5,000 miles to meet the German band on its Farewell World Tour, and we’re eager to catch up with guitarists Rudolf Schenker and Matthias Jabs and chat before they hang up their guitars for good. But for the time being, it’s just us and the local Romanian crew, who are huddled together, chain-smoking cigarettes and flashing us suspicious looks.