Well, there was a talent show where they told us we were too loud and kicked us out, but my first gig was with Panic at Huntington Beach. Although the sex, the girls and the drugs were rampant, it was marred by the death of two friends: the guy who did our sound and our drummer at the time.
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David Ellefson had an incredibly busy 2013. With Megadeth he released Super Collider, the band’s highest-charting album since 1994’s Youthanasia. In October he released his memoirs, My Life With Deth: Discovering Meaning in a Life of Rock & Roll, which he wrote with Joel McIver.
We're not gonna lie: The Dean scene at NAMM is always pretty cool. All the latest guitars and basses are there (Hopefully you caught GW's Twitter coverage of NAMM; if not, we'll have our photo galleries and videos posted very soon), and a heaping helping of Dean Guitars endorsees can be spotted in the general area.
Here's a very cool acoustic version of "Kingmaker" performed live acoustically by Dave Mustaine, Chris Broderick and the gang in celebration of the release their 2013 Super Collider album. Check out the all-acoustic performance with Dave Ellefson on an acoustic bass and Shawn Drover on the cajon. Dig it!
The sound of the guitar was so untamed, and it lit a fire inside me to approach the guitar like a weapon. The lore behind Let There Be Rock is that Angus and Malcolm Young would face a Marshall against the wall and crank the sucker all the way up. You can tell the amp was turned up unbelievably loud: you can practically feel Angus' fingerprints rubbing against the strings.