Aside from the additional heaviness this tuning provides by extending the instrument’s range downward, having the bottom two strings tuned a fifth apart—D to A—enables one to play a root-fifth power chord simply by strumming the two strings open or barring a finger across them at any given fret.
I’d like to focus on riffs and rhythm ideas that represent what I think of as “the real deal” metal. I’ve designed these riffs to help you build up both your pick-and fret-hand technique in regard to executing pure metal ideas like these with power and precision.
Last month, we investigated the great advantages of using drop-D tuning in the development of metal-style riffs and licks. This month, I’d like to continue with this topic and show you some additional advantages that this tuning offers.
Mastering metal and hard rock guitar poses a great variety of musical and technical challenges. This month, I’d like to demonstrate a couple of fast, challenging lead-type phrases that are designed to lift your chops up to the next level.
These videos and audio files are bonus content related to the October 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
These videos and audio files are bonus content related to the September 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
I call this month’s column “The Riff Welder” because in it I demonstrate a variety of ways you can bring more melodic content to your power-chord-driven ideas through the use of single-note lines and small two-note chord voicings, often referred to as “diads.” I will take a few fairly “stock” chord progressions and, by moving a few notes and voicings around, show you how to devise much more interesting and effective rhythm parts.