Many guitar players often struggle to find time -- or simply feel the need to be inspired in order to practice their instrument. Sure, there are days when we are all inspired to pick up our guitars and play. Bur what about the other days? Welcome to 10 Ways To Boost Your Practice Session.
In this month’s column, I’d like to present a few single-note patterns that are designed to fortify fret-hand/pick-hand coordination while they strengthen your overall chops and ability to play fast and clean. In my own experience, I have found that drilling on one or two very specific melodic fretboard shapes works wonders in uncovering technical areas of weakness in both hands.
My students often ask me how they can break away from typical root-fifth power-chord rhythm figures. My solution is to devise a variety of different two-note chord shapes—built from pairs of notes, like root-fifth power chords—that sound great when applied to metal, even though these chord shapes can be used in virtually every style of guitar-based music.
When writing riffs, one of the greatest challenges is to create parts that are not just melodically and rhythmically effective but also memorable and powerful. The best metal riffs—like “Crazy Train,” for example—contain all of the qualities necessary for a great riff: hard-driving power, strong melody and, most importantly, a “star quality” that makes the riff instantly recognizable. This is true for both fast and slow riffs, because a really great riff doesn’t have to be impressive exclusively in a technical sense. This month, I’d like to present a couple of riffs that I believe exemplify these qualities.
In this month’s column, I’d like to show you some simple and effective ways to make your metal rhythm guitar parts sound bigger, heavier and more powerful. These ideas are useful in many different ways, and I think you will find them applicable in live performance as well as when overdubbing and layering tracks.