The great majority of metal music is based on the Aeolian mode, and in this month’s column I’d like to show you a simple, effective way to take any Aeolian line and change and mutate its character, which entails altering only one note.
In this month’s column, I’d like to present a few single-note patterns that are designed to fortify fret-hand/pick-hand coordination while they strengthen your overall chops and ability to play fast and clean. In my own experience, I have found that drilling on one or two very specific melodic fretboard shapes works wonders in uncovering technical areas of weakness in both hands.
This month, I’d like to illustrate a very clear and effective way to memorize the series of scales that are collectively known as the seven fundamental modes. I consider these modes to be essential learning for any aspiring metal soloist. The majority of them are also equally useful for soloing in other styles, such as blues, rock, jazz and country.
It's a good idea to listen to bands that might not fit into the particular genre you might be into. I dug the uber-heavy down-tuned sludge of Carcass but also could appreciate the looser Aerosmith-inspired riffing of Tom Keiffer of Cinderella and took note of Dimebag Darrell’s surgical precision when it came to riffing. It's about being open to learn from others while you shape your sound.
In the Holiday 2014 and January 2015 installments of Metal for Life, I talked about the advantages of using drop-D tuning (low to high, D A D G B E) and demonstrated some cool things you can do with it.
This month I’d like to revisit this topic and show you some additional metal-style riffs played in this tuning, with an emphasis on unusual melodic intervals.
The Metal For Life: Mastering Heavy Metal DVD is available now at the Guitar World Online Store for only $14.95. Strap on your ax for an extreme-metal boot camp, as Metal Mike Chlasciak helps you hone your chops to perfection! You'll learn how to traverse the fretboard with ever-essential minor pentatonic scale, incorporate minor scales into riffs and rhythm parts, build power-chord variations for maximum sonic effect and much more.
In association with Music Masters Camps, shredder — and Guitar World columnist — “Metal” Mike Chlasciak will host his “Metal Heroes Summer Camp” August 25 to 29 at the Full Moon Resort in Big Indian, New York. Developed for young metal-heads in the ages 12 to 18, Metal Heroes Summer Camp is designed to teach, motivate and inspire young metal-heads through intense but fun instruction in heavy metal.
I often hear guitarists tell me they want to attend one of my workshops because they've reached a certain "plateau" they can't seem to get past. It sounds logical, right? Unfortunately, this is wrong.In guitar playing, there are no plateaus. We never arrive and stay at some flat, secure place. Not for long, and certainly not over a period of 24 hours.