This lick is a real showcase of how you can create legato runs using the pentatonic. Predominantly, legato patterns within the pentatonic consist of two-note-per-string pulls and hammers. I like to adopt a combination of this with a wide intervalic approach to add an extra note to the patterns.
As a rock/metal guitarist, I am continuously working on writing better guitar riffs. From my perspective, the guitar riff has suffered in modern music in terms of creativity and usage. A good, creative riff is the most important ingredient when writing any rock/metal song. Here are a few tips that might help you write better riffs.
It’s no insult to the band to say that Kiss have always been about window dressing. That’s why Paul Stanley’s new autobiography, Face The Music: A Life Exposed, comes as such a surprise. After years of carefully maintaining his Starchild superhero identity, Stanley lets down his guard and unleashes a torrent of pent-up feelings that erupt and flow over 400 pages like molten lava.
I often think of a “tough love” quote from an old teacher of mine: “People at venues have their food to eat, drink to drink, friends to talk to and every other venue in town to go to. Can you keep their attention?” While that seems a tad harsh, it is good to some extent, as long as you use it to challenge yourself and surprise yourself with the music and guitar parts you come up with.
The fourth finger is often neglected when it comes to playing guitar. Well, rock/blues guitar, at least. I notice players opt to do wide stretches between their second and third fingers rather than using the fourth. As a result, the fourth finger is very underused and gets weak. This generally begins when someone first starts playing guitar.