Dimebag Darrell is busting. The Pantera guitarist has just received confirmation that he and his bandmates will be supporting Black Sabbath on Sabbath's upcoming U.S. tour -- a monster thrill for Dimebag, an admitted Sabbath fanatic. "Opening for those guys is definitely the honor of a lifetime," says the goateed guitarist.
Today marks the seventh anniversary of the day Dimebag Darrell's life was cut tragically short. While Dime may be gone, one thing he most certainly will never be is forgotten. Revolver recently caught up with Judas Priest vocalist Rob Halford, who shared some memories of when he first met the guitar legend.
Tomorrow marks the anniversary of the death of the legendary Dimebag Darrell. In remembrance of one of the true guitar greats of our time, Anthrax's Frank Bello has offered his thoughts on his late friend.
This year marks 25 years since the release of one of the great thrash albums of all time, Slayer's Raining Blood. In honor of the album's 25th anniversary, Down vocalist Phil Anselmo recently shared some thoughts on the album.
Dimebag Darrell Abbott, Pantera’s high priest of six-string destruction, is feeling ornery. His eyes narrow as he slowly picks up his metallic blue Dean guitar. Cradling it like a sawed-off shotgun, the self-proclaimed “cowboy from hell” begins to frown. It’s obvious that he has something urgent on his mind.
Indie folk rock and Pantera are not two things mentioned often in the same breath, but today is one of those rare occasions. Philadelphia-based indie-folk band The Bailey Hounds recently performed an acoustic cover of Pantera's "The Great Southern Trendkill." The results? Watch the video below and decide for yourself.
Phil Anselmo recently caught up with the San Antonio Metal Music Examiner to discuss the progress on Down's upcoming album -- or series of 4 EPs -- along with the departure of Rex Brown, Pantera, and more.
What's up Dad, we're back! Last time we got into using the whammy bar to make natural harmonics scream back up to pitch. In this column we're gonna be using the bar to to pull these jewels up to notes that are higher than their regular pitch. One example is screaming the harmonic at the 4th fret (regular pitch is B) on the G string all the way up to D (Figure 1).