Believe it or not, Pantera’s “The Art of Shredding” translates awesomely to acoustic in the hands of the masterful percussive player, Sam Westphalen. Here he is in the studio at the Australian Institute of Music laying it down.
In the last few columns we've been zoning in on lead-playing and shit so let's get back to doing some hard-driving rhythm work for a while-'cos well-balanced players rip on rhythm as well as leads. As far as I'm concerned, it's no good being able to wail out smokin' leads if your rhythm chops hugg! I've been into playing rhythm from day one, and a lot of that has to do with having a brother who kicks ass on drums.
Luckily, musicians in search of quality signature gear — from guitars to amps to effects to pickups — don't have to worry about that nonsense. Generally, gear manufacturers work closely with their signature artists, in some cases, right down to the tiniest of details (Some artists repeatedly send back the prototypes until they're perfect).
Below, check out a video of a complete Dimebag Darrell clinic that took place June 3, 1993, in Arlington, Texas. The Randall Amplifiers-sponsored clinic, which is basically a Q&A session where Dime is practically begging the crowd for questions, also features some fine playing by Darrell.
“My dad turned me on to all the metal I listened to when I was younger. We’d listen to a lot of Randy Rhoads and Ozzy Osbourne. But when he played Pantera’s Cowboys from Hell for me, that was what really made me want to play metal and be in a band. That Pantera record changed everything for me.