Paul McCartney has released a new single — with an old feel. The catchy new song, which happens to be called "New," is the Mark Ronson-produced title track from his upcoming studio album. The album, the followup to 2012's Kisses on the Bottom, will be released October 15 in the US (October 14 in the UK).
As the photo gallery below will clearly illustrate, Framus — the Germany-based manufacturer of guitars, basses, banjos, amps and more — has made some very distinctive and cool-looking instruments over the years.
This past Friday night, Paul McCartney and his band were joined on stage by the former members of Nirvana — Dave Grohl, Krist Novoselic and Pat Smear (Nirvana's second guitarist for a spell) — at Seattle's Safeco Field.
Written by Paul McCartney, "Fixing a Hole" features an expressionistic lyric that is unlike anything he'd written before; McCartney has said the lyrics simply reflect a wish to let his mind wander freely, a concept that was in harmony with the mood of the times. It is also one of the simplest recordings on Sgt. Pepper's Lonely Hearts Club Band.
The Beatles made EMI’s Abbey Road Studios a household name after they titled their 1969 album for the facility. It was there that they recorded nearly all of their songs, beginning with their first release, 1962’s “Love Me Do.”
Paul McCartney turns 71 on June 18, so you probably can expect to come across some online tributes that laud his achievements, longevity and best-loved songs. But while everyone else will most likely praise "Band on the Run," "Maybe I'm Amazed" and "Silly Love Songs," I'd like to draw attention to 10 tracks from McCartney's solo career — a career that started 43 years ago — that just don't get the love they deserve in 2013.
Out There is doing brisk business and garnering fantastic reviews from critics and fans. McCartney has avoided the ticket sales problems his contemporaries, the Rolling Stones, have experienced and has shaken up the setlist — adding "Eight Days A Week," "Being For The Benefit of Mr. Kite" and other deep cuts — so that even fans who have seen him multiple times in recent years have come away in awe of his talent.
George Harrison’s withering indictment of Britain’s progressive tax system was chosen to open the Beatles’ most progressive musical effort to date. Opening with a rasping cough and a droll count-in, “Taxman” kicks off Revolver in startling fashion, demonstrating both Harrison’s growing sophistication as a songwriter and Emerick’s budding talent for sculpting guitar tones.
It's well known that Jimi Hendrix was looking to branch out and make some stylistic changes not long before his death in 1970. It's also well known that Hendrix and trumpet master Miles Davis were making plans to work together in a new project.