Just as Paul McCartney, George Harrison and Ringo Starr got together in the mid-'90s to finish two John Lennon tracks for The Beatles' Anthology project, McCartney might be finishing up an incomplete song by Harrison.
In The Beatles’ catalog, “Hey Bulldog” is a bridge between the psychedelic excesses of 1967 and the rock and roll revivalism they would pursue on the White Album and Let It Be. Written by John Lennon, the song is a straightahead rocker featuring a seductive boogie-style riff and some excellent aggressive lead guitar work.
Ken Scott -- one of a handful of recording engineers to have worked with The Beatles -- has stories to tell. And lucky for us, he loves telling them. To emphasize the point, Scott will be publishing a 500-page memoir, Abbey Road To Ziggy Stardust, on June 6 through Alfred Music Publishing. The book recounts the events of what Scott calls his "blessed life" working with innumerable rock legends.
Hear Music has posted a 2.5-minute trailer for the deluxe reissue of Paul McCartney's Ram album, which will be released May 22 in the US. Ram, which is officially credited to Paul & Linda McCartney, was McCartney's second post-Beatles LP, released in May 1971 on Apple Records.
On this day in 1965, The Beatles recorded “Help!” -- the song -- during a four-hour session that started around 7 p.m. at Abbey Road Studio Two in London. Twelve takes were recorded; the first eight were of the rhythm tracks only, with vocals appearing for the first time on take nine. John Lennon -- the song's primary writer -- sang lead vocals, backed by Paul McCartney and George Harrison.
Having opened a Pandora's box with their critically acclaimed and commercially successful album Sgt. Pepper's Lonely Hearts Club Band, The Beatles faced serious competition from a variety of openminded artists who were expanding rock music's barriers.
While The Beatles spent the first months of 1969 getting back to their roots with the Let It Be sessions, EMI's Abbey Road Studios was moving headlong into the future. On November 23, 1968, Studio Two's control room had been outfitted with EMI's new TG12345 mixer, the first transistorized recording console in Abbey Road.