The Endless River, Pink Floyd's new and final album, will be released November 10. To advance and promote its release, the two-man band has been posting brief videos that shed light on the recording and writing process.
Pink Floyd have released a 30-second trailer for their new album, The Endless River. You can check it out below. The clip, which was posted today via the band's social media outlets, features 30 seconds of instrumental music highlighted by David Gilmour's signature Strat sound.
Catch a rare inside glimpse of one of the world's most revered guitarists, David Gilmour, and his iconic Black Stratocaster. Pink Floyd: The Black Strat was written by Phil Taylor, Gilmour's personal guitar technician and the band's chief backline tech since 1974. He was the only man to know Pink Floyd's equipment better than the band.
What, exactly, is a headphone album? Well, the definition changes depending on who you are. For audiophiles, a headphone album is a work that is so exquisitely recorded that it demands that you have to listen to each beautifully recorded note under a sonic microscope. Something like Miles Davis’ Kind of Blue fits that bill.
Calling all Pink Floyd fans: here's a video for you! Below, check out fingerstyle guitarist Thomas Leeb deliver a gorgeous fingerstyle rendition of the Floyd classic, “Comfortably Numb.” Leeb makes great use of a GoPro camera, with shots not only on the outside of his guitar, but inside as well. It’s no wonder Leeb has a commanding ability on the guitar. According to his bio, he studied West African traditional music for three years, which has clearly given him an advanced sense of timing and groove.
Tina S. — everyone's favorite teenage French shredder — is back with a new video. This time, Tina — who has covered everyone from Yngwie Malmsteen to Eddie Van Halen to Steve Vai — slows things down a bit and tackles David Gilmour's emotional solo from Pink Floyd's "Comfortably Numb."
The list of songs with great guitar tone is endless, and singling out any one as the best is, of course, subjective. But some guitar tones scream out for attention, and the best ones don’t do that literally. Instead, they pull at the melody and cut across the bed created by the rhythm section, without being too showy or abrasive or predictable.