Prog-Gnosis: Roller-Coaster Ride — Seven-String Arpeggios
The following content is related to the June 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
To me, one of the most valuable study practices has been the exploration of arpeggios (also known as “broken chords,” wherein each note of a chord is played individually and in succession) played across all the strings. Like most guitarists, I began on six-string and soon graduated to seven- and then eight-string guitar. This month, I’d like to demonstrate some cool ways to perform a variety of arpeggios on the seven-string guitar.
An approach that has worked well for me is to devise a specific arpeggio fingering pattern diagonally across the strings, spanning over two octaves, for which I can then alter one or two notes in each octave to morph from one chord quality to another, for example, from minor seven to dominant seven or major seven. This way, the fingerings are visually and physically similar and thus easier to memorize.
You Might Also Like...
May 2015 Guitar World: Joan Jett, Judas Priest, How to Play Rock and Roll Guitar, Ian Anderson and More16 sec ago
1 hour 17 min ago
1 hour 42 min ago
14 hours 52 min ago
17 hours 2 min ago
18 hours 18 min ago
19 hours 48 min ago