In the last few columns we've been zoning in on lead-playing and shit so let's get back to doing some hard-driving rhythm work for a while-'cos well-balanced players rip on rhythm as well as leads. As far as I'm concerned, it's no good being able to wail out smokin' leads if your rhythm chops hugg! I've been into playing rhythm from day one, and a lot of that has to do with having a brother who kicks ass on drums.
In this classic entry from his "Riffer Madness" column, Dimebag Darrell talks about more ways to pump up your riffs: Hey, Dad! What's shaking? This month we're gonna rap about a few ways you can pump maximum heaviness into a riff. Read on!
What's up Dad, we're back! Last time we got into using the whammy bar to make natural harmonics scream back up to pitch. In this column we're gonna be using the bar to to pull these jewels up to notes that are higher than their regular pitch. One example is screaming the harmonic at the 4th fret (regular pitch is B) on the G string all the way up to D (Figure 1).
This month we're gonna talk about harmonics-how to get 'em, where you can find 'em and what you can do with 'em. There are a number of different ways you can make harmonics happen. You can induce 'em with your pick (pinch harmonics), you can tap 'em like Eddie Van Halen does sometimes (tap or touch harmonics) or you can get 'em by lightly resting one of your left-hand fingers on a string and then picking it. The last type are called natural harmonics, and they're the suckers we're gonna be dicking with.