Why do session guitarists need a variety of guitars? Reason 1: Be prepared. Just like a plumber or carpenter, the right tool for the right job goes a long way to making the music we are playing sound more appropriate for the situation. When you walk into a session, you never know, or most of the time, are unaware of the style you will be asked to play that day.
I often get asked what is the best way to train for session work. Of course, you have to be able to sight read, know how to read chord charts, have your gear together, and finally be able to play in various styles. Of course, we can and will go into great details in other blogs, but for now I am going to give you some advice I learned some time ago. Learn cover tunes!
Hi, gang! I'm often asked how much I charge for sessions. I am not going to talk actual dollars and cents; however, I can give you the guidelines I use to earn a FAIR wage. These days, home studios are commonplace. That being said, we all must learn how to negotiate a fee. I do not believe in making the quick buck and charging everyone the same. Why? The economy. I would rather make less than make nothing at all. And there are many varying reasons why we can, and maybe should, use a sliding scale when speaking of payment.
What do Eddie Van Halen, Keith Richards, Andy Summers, The Edge, James Hetfield and Jimi Hendrix have in common? They are all great rhythm players. These guys, and so many more, have restructured and redesigned the role and sound of playing rhythm guitar. And since 80 percent or more of your musical life may very well be spent playing rhythm, we should talk about it.
Each day typically begins around 5 a.m. That's when I get my personal time to exercise, walk, plan meals, etc. Take care of yourself first! When the real work day starts, it can be difficult to halt the momentum and take time out for exercising and eating healthy. I learned this the hard way. Enough said.
So a question I'd like to respond to this week: "Was there ever a session that went wrong ... a bad experience?" Here's my story ... I remember no names. The studio was in Long Island, NY, in the 1980s. It was a day I wished I never had ... but it ended up OK ... and a big lesson was learned.
Hi, gang. I've been getting numerous questions asking why the recordings you are doing at home don't sound like your favorite CD! I gave that some thought and came up with what I will refer to as the Seven Deadly Sins you are making! (And by the way, thanks to the people who sent me mp3s to critique.) So here goes ...
One of the most important things I can explain to people who want to become session players is how they need to take a good long look at those who have gone before. In this photo gallery is a list of some of MY faves -- and a brief description of each player.