The sound of Motörhead is defined by the high-output fat tone and midrange grind Lemmy Kilmister has delivered for decades with songs like "Ace of Spades” and "Iron Fist,” combined with a fast pick attack on his Rickenbacker bass.
The gang at Seymour Duncan recently tweeted this posted-in-2012 video. In the video, a guitarist named Sarah Michelle tries out Seymour Duncan's Yngwie Malmsteen YJM Fury STK-S10 pickups, which are installed in her Fender Stevie Ray Vaughan Signature model Strat.
The Retribution pickups were designed with Dino Cazares of Fear Factory and Divine Heresy to provide the essential attack, clarity and increased headroom that 7- and 8-string players like Dino have been asking for.
"A lot of people have been asking me about this new 805 OD pedal," Merrow says. "I put together a quick video so you can hear it. I think it really does a lot to tighten up a high gain tone. It's similar to your familiar 'green' OD pedal, but it has a much better EQ section and a more transparent gain curve."
Luckily, musicians in search of quality signature gear — from guitars to amps to effects to pickups — don't have to worry about that nonsense. Generally, gear manufacturers work closely with their signature artists, in some cases, right down to the tiniest of details (Some artists repeatedly send back the prototypes until they're perfect).
Many guitarists want to be able to boost their signal without adding noise or altering their tone. With its class A, low-noise circuit design, the Pickup Booster can do just that and is exceptional at emphasizing a guitar's natural sound while adding some muscle and fatness.
These videos and audio files are bonus content related to the October 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
The Seymour Duncan 805 Overdrive is designed using the legendary 808 chip, but with an expanded gain range and an active 3-band EQ that isn't common on overdrives. It's so versatile that you can use it for a smooth, lyrical bluesy overdrive one minute and a modern metal crunch the next.