Songcraft: A Cappella Songwriting
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As songwriters, we settle into our own individual writing processes.
Sitting at that piano late at night. Strumming that guitar, TV on mute and so on -- every process as unique and personal as the musical results they yield.
Yet the one thing these exercises hold in common is they all usually center around the use of an instrument. What if, just to change things up, we took that instrument out of the equation?
The McFerrin Method
Next time you decide to write, if only for experiment’s sake, leave the guitar in the case (I know, I know …this is Guitar World) and attempt to create something fresh, solely a cappella. Don’t worry, be happy; try embracing the fun and the freedom humming a melody or singing nonsensical words can provide.
If you think about it, a cappella composing (arguably the first form of songwriting) makes a lot of sense. When writing, as per usual, on your given instrument(s), you’re basically confined by the physical limits of that instrument and your skill level.
As such, in reality then, our voices and our brains are actually the most powerful/versatile instruments we possess. Think; if someone sang a melody line and asked you to repeat it, you could almost instantaneous sing it right back, even if you don’t consider yourself “a singer."
Conversely, if you were asked to repeat same using your guitar, I’d bet most of us non-virtuoso types might take a beat or two transcribing said melody and getting it out from under our fingers. When it’s head vs. shred, the noggins trump every time. Why not harness some of that amazing, primordial brain power for songwriting?
Reverse Engineering
Once you’ve created some a cappella jams, take them back to your respective instruments. See where your scat singing journeys have taken you. Maybe you’ll find they’ve pushed you down some musical roads less traveled; an angular melody your fingers would never have played here or a cool change that feels foreign to your hands there. Hopefully a cappella writing will help you cultivate some interesting and surprising results.
Mark Bacino is a singer/songwriter based in New York City. When not crafting his own melodic brand of retro-pop, Mark can be found producing fellow artists or composing for television/advertising via his Queens English Recording Co. Mark also is the founder of intro.verse.chorus, a website for songwriters dedicated to the exploration of that wonderfully elusive activity known as songwriting. Visit Mark on Facebook or follow him on Twitter.
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Kai
May 09, 2012 at 1:15pm
I fully agree with just sometimes leaving your instrument out of the picture and just humming or singing what ever comes to your mind freestyling like a MC. It's more enjoyable since you don't focus so much on actually singing like an angel but just having fun and believe me I'm no angel. The moment you follow a chord progressing and try to stick to that melody you're bound to get frustrated trying to write lyrics to it or even to just simply sing along to it. Another method I've learned to just simple have fun is, I have an old nylon acoustic, it only has 3 strings. Lol E,G,B of which all are out of tune. Trying to get something good out of that, that actually sounds like music is a real challenge it's helped me a lot as a musician.
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Kai
May 09, 2012 at 1:07pm
I fully agree with just sometimes leaving your instrument out of the picture and just humming or singing what ever comes to your mind freestyling like a MC. It's more enjoyable since you don't focus so much on actually singing like an angel but just having fun and believe me I'm no angel. The moment you follow a chord progressing and try to stick to that melody you're bound to get frustrated trying to write lyrics to it or even to just simply sing along to it. Another method I've learned to just simple have fun is, I have an old nylon acoustic, it only has 3 strings. Lol E,G,B of which all are out of tune. Trying to get something good out of that, that actually sounds like music is a real challenge it's helped me a lot as a musician.
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Kai
May 09, 2012 at 1:04pm
I fully agree with just sometimes leaving your instrument out of the picture and just humming or singing what ever comes to your mind freestyling like a MC. It's more enjoyable since you don't focus so much on actually singing like an angel but just having fun and believe me I'm no angel. The moment you follow a chord progressing and try to stick to that melody you're bound to get frustrated trying to write lyrics to it or even to just simply sing along to it. Another method I've learned to just simple have fun is, I have an old nylon acoustic, it only has 3 strings. Lol E,G,B of which all are out of tune. Trying to get something good out of that, that actually sounds like music is a real challenge it's helped me a lot as a musician.
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Kai
May 09, 2012 at 1:01pm
I fully agree with just sometimes leaving your instrument out of the picture and just humming or singing what ever comes to your mind freestyling like a MC. It's more enjoyable since you don't focus so much on actually singing like an angel but just having fun and believe me I'm no angel. The moment you follow a chord progressing and try to stick to that melody you're bound to get frustrated trying to write lyrics to it or even to just simply sing along to it. Another method I've learned to just simple have fun is, I have an old nylon acoustic, it only has 3 strings. Lol E,G,B of which all are out of tune. Trying to get something good out of that, that actually sounds like music is a real challenge it's helped me a lot as a musician.
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MarkBacino
May 09, 2012 at 8:01pm
Kai,
Thanks for your comment! Cool to hear a cappella songwriting is something you use/works for you.
You make a lot of good points, the process IS kind of like MC free-styling. Great way to look at it.
I like your out-of-tune, nylon acoustic guitar idea as well, that's great! I might have to steal that one!
Ultimately, I feel like any hack that breaks you from your normal writing process is really fair game and will, at the very least, force you to head toward some musical destinations you might not normally visit. Hopefully some of those trips will yield you a few fresh song ideas.
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MarkBacino
May 09, 2012 at 8:01pm
Kai,
Thanks for your comment! Cool to hear a cappella songwriting is something you use/works for you.
You make a lot of good points, the process IS kind of like MC free-styling. Great way to look at it.
I like your out-of-tune, nylon acoustic guitar idea as well, that's great! I might have to steal that one!
Ultimately, I feel like any hack that breaks you from your normal writing process is really fair game and will, at the very least, force you to head toward some musical destinations you might not normally visit. Hopefully some of those trips will yield you a few fresh song ideas.
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RonZabrocki
May 02, 2012 at 2:53am
I think it's a great way of writing that should be seriously considered. It takes away one's limitations on the instrument, and also muscle memory. Leaving the axe of choice behind, we are only left with freedom. As a guitarist, I often use this method to write solo's and arrange strings. I sing the parts then learn them later. Guitarist's would be surprised at at how many new method's there are to grow musically. When I studied rhythm with Peter Randall he didn't allow us to bring instrument's to lessons. Didn't matter to him. Rhythm was rhythm. Same here. Music is music...but in this case you lose your limitations your fingers have fallen into and fall into a brave new world of unlimited composition! And that is the essence of improvisation! Great blog!
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MarkBacino
May 02, 2012 at 2:18pm
Ron,
Thanks for the comments and the kind words, appreciate it!
Crazy re: Peter Randall's classes, that's interesting (& just plain cool, too ;-)
Great point about muscle memory. Our hands always want to follow familiar and comfortable paths when we play. A cappella writing eliminates those habits and frees us to go in fresh and new directions.
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RonZabrocki
May 02, 2012 at 2:56am
Anyone reading this should checkout Mark's songs...he know's of what he speaks.
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Arthur Kukri
May 01, 2012 at 2:21pm
A cappella songs really are difficult for me to come up with. I hear the sound of my own voice with no guitar and I feel exposed and stuff. I've been trying to read more about it so that I can get a better feel for how to approach the whole thing, but so far, it's not happening.
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MarkBacino
May 01, 2012 at 9:02pm
Hey Arthur,
Thank you for reading and thanks for the comment.
Not suggesting people create a cappella songs and keep them as such. I'm suggesting a cappella songwriting as a method by which folks can break out of their usual writing habits and expand their creative palettes free from the constrains of their given instrument. Sometimes composing with just your voice allows you to come up with something you might never have written if you were writing with, say, a guitar or a piano as per usual. Once you've created that riff or melody a cappella, you can then bring it back to the guitar or piano and continue to finish off and mold your new idea into a song the way you normally do.
That said, if working a cappella makes you uncomfortable and less productive, I'd say forget it. In the end the goal is really just to have fun and make great music, right? So really nothing should stand in the way of that.













